| # | A4 # | TITLE | FIRSTNAME | MIDDLE | LASTNAME | FORNON | CATAGORY | COMMENTS |
| 1 | 1 | WELL-TEMPERED SENTENCE, THE | KAREN | E. | GORDON | N | N,P | |
| 2 | 2 | AMERICAN POLITICAL TRADITION, THE | RICHARD | HOFSTADTER | N | P | ||
| 3 | 3 | I'M OK-YOU'RE OK | THOMAS | A. | HARRIS | N | P | |
| 4 | 4 | GUIDE TO EARTH HISTORY, A | RICHARD | CARRINGTON | N | P | ||
| 5 | 5 | EXPRESSIONISTS, THE | WOLF | DIETER | DUBE | N | ART | N,P |
| 6 | 6 | GREEK ART | FOHN | BOARDMAN | N | ART | N,P | |
| 7 | 7 | MOVEMENTS IN ART SINCE 1945 | EDWARD | LUCIE-SMITH | N | ART | N,P | |
| 8 | 8 | AUSTRALIA, NEW ZEALAND, SO. PACIFIC | FODOR | N | TRAVEL | P | ||
| 9 | 9 | O JERUSALEM! | LARRY | COLLINS/LAPIERRE | N | HIST | P | |
| 10 | 10 | OUR CHILDREN ARE DYING | NAT | HENTOFF | N | P | ||
| 11 | 11 | NATION TAKES SHAPE, THE | MARCUS | CUNLIFFE | N | HIST | P | |
| 12 | 12 | BRITISH PARTLIAMENTARY DEMOCRACY | SYDNEY | D | BAILEY | N | CIVICS | P |
| 13 | 13 | ABUSE OF POWER | THEODORE | DRAPER | N | CIVICS | P | |
| 14 | 14 | BALLET | GEORGE | AMBERG | N | MUSIC | P | |
| 15 | 15 | FIFTY MINUTE HOUR, THE | ROBERT | LINDNER | N | PSYCH | P | |
| 16 | 16 | BEYOND ANXIETY | JAMES | A | PIKE | N | PSYCH | P |
| 17 | 17 | DIALOGUES OF ALFRED NORTH WHITEHEAD | LUCIEN | PRICE | N | P | ||
| 18 | 18 | PRODUCTION & CONSUMPTION OF GRAINS... | VASANT | P | GANDHI | N | CIVICS | P |
| 19 | 19 | OF LOVE AND LUST | THEODOR | REIK | N | PSYCH | P | |
| 20 | 20 | LIMELIGHT BOOK OF OPERA, THE | ARTHUR | JACOBS/SADIE | N | MUSIC | N,P | |
| 21 | 21 | SEPARATE REALITY, A | CARLOS | CASTANEDA | N | ANTHRO | P | |
| 22 | 22 | ART OF SENSUAL MASSAGE, THE | GORDON | INKELES/TODRIS | N | N,P | ||
| 23 | 23 | EGO, HUNGER AND AGGRESSION | FRITZ | S | PERLS | N | PSYCH | P |
| 24 | 24 | LESBIAN WOMAN | DEL | MARTIN/LYON | N | PSYCH | P | |
| 25 | 25 | WILSON THE DIPLOMATIST | ARTHUR | S | LINK | N | CIVICS | P |
| 26 | 26 | INDIVIDUAL PSYCHOLOGY | ALFRED | ADLER | N | PSYCH | P | |
| 27 | 27 | SECULAR CITY, THE | HARVEY | COX | N | CIVICS | P | |
| 28 | 28 | OPUS 21 | PHILIP | WYLIE | F | SCI FI | P | |
| 29 | 29 | 3 PAK | CARSON | MCCULLERS | F | N,P | ||
| 30 | 30 | SOLID GEOMETRY | CAMBRIDGE | N | SCI | P | ||
| 31 | 31 | STANISLAVSKI SYSTEM, THE | SONIA | MOORE | N | P | ||
| 32 | 32 | SPACESHIP EARTH | BARBARA | WARD | N | CIVICS | P | |
| 33 | 33 | POPULATION BOMB, THE | PAUL | EHRLICH | N | CIVICS | P | |
| 34 | 34 | LAST DAYS OF THE LATE, GREAT STATE OF CA | CURT | GENTRY | N | CIVICS | P | |
| 35 | 35 | SOS | KEITH | JAMESON | N | HIST | P | |
| 36 | 36 | ECO-SPASM, THE | ALVIN | TOFFLER | N | CIVICS | P | |
| 37 | 37 | OTHER AMERICA, THE | MICHAEL | HARRINGTON | N | CIVICS | N,P | |
| 38 | 38 | UP FROM LIBERALISM | WILLIAM | F. | BUCKLEY | N | CIVICS | P |
| 39 | 39 | GREEK DRAMA | MOSES | HADAS | N | ART | P | |
| 40 | 40 | LAW, POWER, AND THE PURSUIT OF PEACE | EUGENE | ROSTOW | N | CIVICS | P | |
| 41 | 41 | BEGINNING UNDERWATER PHOTOGRAPHY | JIM & CATHY | CHURCH | N | SCI | N,P | |
| 42 | 42 | ROTHSCHILDS, THE | FREDERIC | MORTON | N | BIO | N,P | |
| 43 | 43 | ROOM 3603 | H. | MONTGOMERY | HYDE | N | HIST | N,P |
| 44 | 44 | ZEN FLESH, ZEN BONES | PAUL | REPS | N | PHILOS | N,P | |
| 45 | 45 | GODS, HEROES, AND MEN OF ANCIENT GREECE | W.H.D. | ROUSE | N | ANTHRO | P | |
| 46 | 46 | OWN YOUR OWN LIFE | RICHARD | G. | ABELL | N | PSYCH | N,P |
| 47 | 47 | ZEN AND THE ART OF MOTORCYCLE MAINTENANC | ROBERT | M. | PIRSIG | N | PHILOS | P |
| 48 | 48 | PRIMATIVE SOCIETY | ROBERT | H. | LOWIE | N | ANTHRO | P |
| 49 | 49 | MARX'S CONCEPT OF MAN | ERICH | FROMM | N | PSYCH | N,P | |
| 50 | 50 | IMPOSSIBLE VACATIONS | SPAULDING | GRAY | N | PHILOS | N,P | |
| 51 | 51 | SCOUNDREL TIME | LILLIAN | HELLMAN | N | CIVICS | N,P | |
| 52 | 52 | BINTEL BRIEF, A | ISSAC | METZKER | N | HIST | N,P | |
| 53 | 53 | FAIR TAX, THE | BILL | BRADLEY | N | CIVICS | N,P | |
| 54 | 54 | MIDDLE AGES, THE | H. | R. | LOYN | N | HIST | N,P |
| 55 | 55 | JUMPERS | TOM | STOPPARD | N | PLAYS | N,P | |
| 56 | 56 | SAN FRANCISCO STAGE, THE | MISHA | BERSON | N | HIST | N,P | |
| 57 | 57 | HISTORY OF THE ARAB PEOPLE, A | ALBERT | HOURANI | N | HIST | N,P | |
| 58 | 58 | MULTI-PAK | OLIVER | SACKS | F | ANTHOL | N,P,AWAKENINGS,A LEG TO STAND ON,THE MAN WHO MISTOOK HIS WIFE FOR A HAT,SEEING VOICES, AND OTHER WORKS | |
| 59 | 59 | SMALL IS BEAUTIFUL | E. | F. | SCHUMACHER | N | CIVICS | P |
| 60 | 60 | LOVES OF KRISHNA | W. | G. | ARCHER | N | ANTHRO | P |
| 61 | 61 | FOREVER FREE | JOY | ADAMSON | N | SCI | P | |
| 62 | 62 | BORN FREE | JOY | ADAMSON | N | SCI | P | |
| 63 | 63 | WANING OF THE MIDDLE AGES, THE | JOHAN | HUIZINGA | N | HIST | P | |
| 64 | 64 | ITALIAN.ENGLISH.ITALIAN.DICTIONARY. | N | LANG | N,H | |||
| 65 | 65 | SEX IN HISTORY | REAY | TANNAHILL | N | HIST | N,P | |
| 66 | 66 | ESSAYS OF FRANCIS BACON | FRANCIS | BACON | N | PHILOS | P | |
| 67 | 67 | DEATH IN VENICE | THOMAS | MANN | F | SEVEN OTHER STORIES | ||
| 68 | 68 | NATIVE AMERICAN WISDOM | EDWARD | CURTIS | N | ANTHRO | N,P | |
| 69 | 69 | ROOSEVELT AND HOPKINS, VOL 2 | ROBERT | E | SHERWOOD | N | HIST | P |
| 70 | 70 | SHAW ON MUSIC | GEORGE | BERNARD | SHAW | N | MUSIC | P |
| 71 | 71 | LIFE STORY OF THE FISH, THE | BRIAN | CURTIS | N | N | ||
| 72 | 72 | CHASE, CAPTURE; COLLECTING AT THE MET... | THOMAS | HOVING | N | ART | P | |
| 73 | 73 | PATTERNS OF CULTURE | RUTH | BENEDICT | N | ANTHRO | P | |
| 74 | 74 | PLAYS OF SHPHOCLES, THE | SOPHOCLES | F | PLAYS | P | ||
| 75 | 75 | PARADISE LOST | JOHN | MILTON | F | PLAYS | P | |
| 76 | 76 | MERMAID AND THE MINOTAUR, THE | DOROTHY | DINNERSTEIN | N | PSYCH | P | |
| 77 | 77 | MANCHILD IN THE PROMISED LAND | CLAUDE | BROWN | N | ANTHRO | P | |
| 78 | 78 | CONDUCT OF POLITICAL INQUIRY, THE | LOUIS | D | HAYES/HEDLUND | N | CIVICS | P |
| 79 | 79 | CLOSING OF THE AMERICAN MIND, THE | ALLAN | BLOOM | N | ANTHRO | P | |
| 80 | 80 | SCULPTURE OF INDONESIA, THE | JAN | FONTEIN | N | ART | N,P | |
| 81 | 81 | VOICES OF THE FIRST DAY | ROBERT | LAWLOR | N | ANTHRO | N,P | |
| 82 | 82 | EUGENE V. DEBS | RAY | GINGER | N | CIVICS | P | |
| 83 | 83 | CITY AS A COMMUNITY, THE | GERALD | LEINWAND | N | ANTHRO | P | |
| 84 | 84 | TRULY TASTELESS JOKES | BLANCHE | KNOTT | P | |||
| 85 | 85 | ON BENTHAM AND COLERIDGE | JOHN | STUART | MILL | N | ESSAYS | P |
| 86 | 86 | ASYLUMS | ERVING | GOFFMAN | N | ESSAYS | P | |
| 87 | 87 | BEYOND FREEDOM AND DIGNITY | B. | F. | SKINNER | N | PSYCH | P |
| 88 | 88 | RUSSIA IN TRANSITION | ISAAC | DEUTSCHER | N | CIVICS | P | |
| 89 | 89 | DEUTSCHE ERZABLUNGEN VOL 1 | VON KLIER/MARTIN | N | LANG | P | ||
| 90 | 90 | DEUTSCHE ERZABLUNGEN VOL 2 | VON KLIER/MARTIN | N | LANG | P | ||
| 91 | 91 | FROM MARX TO MAO TSE-TUNG | GEORGE | THOMSON | N | CIVICS | P | |
| 92 | 92 | ELECTRONIC STRUCTURE PROPERTIES AND ... | HARRY | SISLER | N | SCI | P | |
| 93 | 93 | POLITICS OF THE BUDGETARY PROCESS, THE | AARON | WILDAVSKY | N | CIVICS | P | |
| 94 | 94 | SANE SOCIETY, THE | ERICH | FROMM | N | PSYCH | P | |
| 95 | 95 | SOURCES OF MODERN ARCHITECTURE & DESIGN | NIKOLAUS | PEVSNER | N | ART | N,P | |
| 96 | 96 | JAPANESE ART | JOAN | STANLEY | BAKER | N | ART | N,P |
| 97 | 97 | AMERICAN LITERATURE, ANTHOLOGY OF | GEORGE | MCMICHAEL | F | ANTHOL | P | |
| 98 | 98 | PROFILES IN COURAGE | JOHN | F | KENNEDY | N | CIVICS | P |
| 99 | 99 | READINGS IN AMERICAN PUBLIC OPINION | WALKER/LINDQUIST | N | ESSAYS | P | ||
| 100 | 100 | THIRD WAVE, THE | ALVIN | TOFFLER | N | ANTHRO | P | |
| 101 | 101 | ROMAN ART AND ARCHITECTURE | MORTIMER | WHEELER | N | ART | N,P | |
| 102 | 102 | ART OF THE RENAISSANCE, THE | PETER AND LINDA | MURRAY | N | ART | N,P | |
| 103 | 103 | IMPRESSIONISM | PHOEBE | POOL | N | ART | N,P | |
| 104 | 104 | WAR AND REMEMBRANCE | HERMAN | WOUK | F | P | ||
| 105 | 105 | ANNE OF GREEN GABLES | L.M. | MONTGOMERY | F | P | ||
| 106 | 106 | HARDER THEY FALL, THE | BUDD | SCHULBERG | F | P | ||
| 107 | 107 | LOST HORIZON | JAMES | HILTON | F | P | ||
| 108 | 108 | MOONRAKER | IAN | FLEMING | F | P | ||
| 109 | 109 | BORSTAL BOY | BRENDAN | BEHAN | F | P | ||
| 110 | 110 | AMERICAN DREAM/ ZOO STORY, THE | EDWARD | ALBEE | F | PLAYS | P | |
| 111 | 111 | SUN ALSO RISES, THE | ERNEST | HEMINGWAY | F | P | ||
| 112 | 112 | UNDER THE VOLCANO | MALCOLM | LOWRY | F | P | ||
| 113 | 113 | WHO'S AFRAID OF VIRGINIA WOOLF? | EDWARD | ALBEE | F | P | ||
| 114 | 114 | LITTLE DRUMMER GIRL, THE | JOHN | LE CARRE | F | P | ||
| 115 | 115 | LAST SUMMER, THE | BORIS | PASTERNAK | F | P | ||
| 116 | 116 | MADAME | LONGSTREET | F | P, GERMAN | |||
| 117 | 117 | PAIR OF BLUE EYES, A | THOMAS | HARDY | F | P | ||
| 118 | 118 | SUMMER BIRD-CAGE, A | MARGARET | DRABBLE | F | P | ||
| 119 | 119 | WINDS OF WAR | HERMAN | WOUK | F | P | ||
| 120 | 120 | EXODUS | LEON | URIS | F | P | ||
| 121 | 121 | ANDERSONVILLE | MACKINLAY | KANTOR | F | P | ||
| 122 | 122 | FAUST, VOL1 AND 2 | JOHANN | WOLFGANG | GOETHE | F | P | |
| 123 | 123 | ASSISTANT, THE | MALAMUD | F | PLAYS | NOTES | ||
| 124 | 124 | DRIFTERS, THE | JAMES | MICHENER | F | P | ||
| 125 | 125 | SOURCE, THE | JAMES | MICHENER | F | P | ||
| 126 | 126 | HAWAII | JAMES, | MICHENER | F | P | ||
| 127 | 127 | NO EXIT | JEAN | PAUL | SARTRE | F | PLAYS | P |
| 128 | 128 | TIME ENOUGH FOR LOVE | ROBERT | A | HEINLEIN | F | SCI FI | P |
| 129 | 129 | IT | STEPHEN | KING | F | SCI FI | P | |
| 130 | 130 | SIRENS OF TITAN, THE | KURT | VONNEGUT | F | SCI FI | P | |
| 131 | 131 | WORLD OF PTAVVS | LARRY | NIVEN | F | SCI FI | P, ANTHOLOGY | |
| 132 | 132 | SHIELD | POUL | ANDERSON | F | SCI FI | P | |
| 133 | 133 | CHILDREN OF DUNE | FRANK | HERBERT | F | SCI FI | P | |
| 134 | 134 | OTHERS, THE | MARGARET | VAN DER BONANNO | F | SCI FI | P | |
| 135 | 135 | ANDROMEDA STRAIN, THE | MICHAEL | CRICHTON | F | SCI FI | P | |
| 136 | 136 | DARK TOWER, THE | STEPHEN | KING | F | SCI FI | P | |
| 137 | 137 | DRAWING OF THE THREE, THE | STEPHEN | KING | F | SCI FI | P | |
| 138 | 138 | LATHE OF HEAVEN | URSULA | K | LE GUIN | F | SCI FI | N,P, ANTHOLOGY |
| 139 | 139 | GOD EMPEROR OF DUNE | FRANK | HERBERT | F | SCI FI | P | |
| 140 | 140 | DARK DESCENT, THE | DAVID | HARTWELL | F | SCI FI | N,P, ANTHOLOGY | |
| 141 | 141 | WASTE LANDS, THE | STEPHEN | KING | F | SCI FI | N,P | |
| 142 | 142 | ALIEN SEX | ELLEN | DATLOW | F | SCI FI | N,P, ANTHOLOGY | |
| 143 | 143 | FELLOWSHIP OF THE RING, THE | J.R.R. | TOLKIEN | F | SCI FI | P | |
| 144 | 144 | TWO TOWERS, THE | J.R.R. | TOLKIEN | F | SCI FI | P | |
| 145 | 145 | RETURN OF THE KING, THE | J.R.R. | TOLKIEN | F | SCI FI | P | |
| 146 | 146 | FELLOWSHIP OF THE RING, THE | J.R.R. | TOLKIEN | F | SCI FI | P | |
| 147 | 147 | HERZOG | SAUL | BELLOW | F | P | ||
| 148 | 148 | UTOPIA | THOMAS | MORE | F | SCI FI | P | |
| 149 | 149 | WATERSHIP DOWN | RICHARD | ADAMS | F | SCI FI | P | |
| 150 | 150 | MOTE IN GOD'S EYE, THE | RICHARD | NIVEN/POURNELLE | F | SCI FI | P | |
| 151 | 151 | TIGER, TIGER | ALFRED | BESTER | F | SCI FI | P | |
| 152 | 152 | LUCIFER'S HAMMER | NIVEN/POURNELLE | F | SCI FI | P | ||
| 153 | 153 | ICE DRAGON | JEFFERY | LORD | F | SCI FI | P | |
| 154 | 154 | CHILDHOOD'S END | ARTHUR | C. | CLARKE | F | SCI FI | P |
| 155 | 155 | STARS IN MY POCKET LIKE GRAINS OF SAND | SAMUEL | R. | DELANY | F | SCI FI | P |
| 156 | 156 | LORD FOUL'S BANE | STEPHEN | R. | DONALDSON | F | SCI FI | P |
| 157 | 157 | FELLOWSHIP OF THE RING, THE | J.R.R. | TOLKIEN | F | SCI FI | P | |
| 158 | 158 | TWO TOWERS, THE | J.R.R. | TOLKIEN | F | SCI FI | P | |
| 159 | 159 | VINTAGE SCIENCE FICTION | ISSAC | ASIMOV | F | SCI FI | P,ANTHOLOGY, ED. BY ASIMOV | |
| 160 | 160 | ROBOTS AND EMPIRE | ISSAC | ASIMOV | F | SCI FI | N,P | |
| 161 | 161 | BORED OF THE RINGS | HARVARD | LAMPOON | F | SCI FI | P | |
| 162 | 162 | 3-PAK | J. | G. | BALLARD | F | SCI FI | N,P, ANTHOLOGY |
| 163 | 163 | 3-PAK | KURT | VONNEGUT | F | SCI FI | N,P, ANTHOLOGY | |
| 164 | 164 | STAND, THE | STEPHEN | KING | F | SCI FI | N,P | |
| 165 | 165 | 3-PAK | THEODORE | STURGEON | F | SCI FI | N,P,ANTHOLOGY | |
| 166 | 166 | MAPS IN A MIRROR | ORSON | SCOTT | CARD | F | SCI FI | N,P,ANTHOLOGY |
| 167 | 167 | GOD EMPEROR OF DUNE | FRANK | HERBERT | F | SCI FI | P | |
| 168 | 168 | PRELUDE TO FOUNDATION | ISSAC | ASIMOV | F | SCI FI | N,H | |
| 169 | 169 | DRAGON WAITING, THE | JOHN | M. | FORD | F | SCI FI | N,H |
| 170 | 170 | RINKITINK IN OZ | L.FRANK | BAUM | F | SCI FI | N,P | |
| 171 | 171 | LOST PRINCES OF OZ | L.FRANK | BAUM | F | SCI FI | N,P | |
| 172 | 172 | TIN WOODSMAN OF OZ, THE | L.FRANK | BAUM | F | SCI FI | N,P | |
| 173 | 173 | MAGIC OF OZ, THE | L.FRANK | BAUM | F | SCI FI | N,P | |
| 174 | 174 | GLINDA OF OZ | L.FRANK | BAUM | F | SCI FI | N,P | |
| 175 | 175 | WIZARD OF OZ, THE | L.FRANK | BAUM | F | SCI FI | N,P | |
| 176 | 176 | LAND OF OZ, THE | L.FRANK | BAUM | F | SCI FI | N,P | |
| 177 | 177 | OZMA OF OZ | L.FRANK | BAUM | F | SCI FI | N,P | |
| 178 | 178 | DOROTHY AND THE WIZARD OF OZ | L.FRANK | BAUM | F | SCI FI | N,P | |
| 179 | 179 | ROAD TO OZ, THE | L.FRANK | BAUM | F | SCI FI | N,P | |
| 180 | 180 | EMERALD CITY OF OZ, THE | L.FRANK | BAUM | F | SCI FI | N,P | |
| 181 | 181 | PATCHWORK GIRL OF OZ, THE | L.FRANK | BAUM | F | SCI FI | N,P | |
| 182 | 182 | TIK-TOK OF OZ | L.FRANK | BAUM | F | SCI FI | N,P | |
| 183 | 183 | SCARECROW OF OZ, THE | L.FRANK | BAUM | F | SCI FI | N,P | |
| 184 | 184 | HAROUN AND THE SEA OF STORIES | SALMAN | RUSHDIE | F | SCI FI | N,P | |
| 185 | 185 | FOUNDATION AND EARTH | ISAAC | ASIMOV | F | SCI FI | N,H | |
| 186 | 186 | WATERSHIP DOWN | RICHARD | ADAMS | F | SCI FI | N,H | |
| 187 | 187 | FOUNDATION'S EDGE | ISAAC | ASIMOV | F | SCI FI | N,H | |
| 188 | 188 | FRENCH DICTIONARY | N | LANG | P | |||
| 189 | 189 | CASSELL'S COLLOQUIAL ITALIAN | N | LANG | N,P | |||
| 190 | 190 | SPANISH/ENGLISH PHRASE GUIDE,DICTIONARY | N | LANG | P | |||
| 191 | 191 | GERMAN.ENGLISH.GERMAN DICTIONARY | N | LANG | N,P | |||
| 192 | 192 | FRENCH.ENGLISH.FRENCH DICTIONARY | N | LANG | N,H | |||
| 193 | 193 | RUSSIAN.ENGLISH.RUSSIAN DICTIONARY | N | LANG | N,H | |||
| 194 | 194 | MONET, A RETROSPECTIVE | CHARLES | F | STUCKEY | N | ART | N,H |
| 195 | 195 | BOSCH | R.H. | MARIJNISSEN | N | ART | N,H | |
| 196 | 196 | GAUGUIN | LESLEY | STEVENSON | N | ART | N,H | |
| 197 | 197 | CEZANNE | MICHAEL | HOWARD | N | ART | N,H | |
| 198 | 198 | DEGAS | FRANK | MILNER | N | ART | N,H | |
| 199 | 199 | GNOMES | WIL | HUYGEN | N | ART | N,H | |
| 200 | 200 | DREAMS WITH SHARP TEETH | HARLAN | ELLISON | F | SCI FI | N,P | |
| 201 | 201 | TALE OF THE BODY THIEF, THE | ANNE | RICE | F | SCI FI | N,P | |
| 202 | 202 | CONDOR PASSES, THE | SHIRLEY | ANN | GRAU | F | H | |
| 203 | 203 | GRAMATICA ESPANOLA DE REPASO | N | LANG | H | |||
| 204 | 204 | UNFINISHED TALES | J.R.R. | TOLKIEN | F | SCI FI | N,H | |
| 205 | 205 | MODERN CULTURAL ANTHROPOLOGY | PHILIP | K | BOCK | N | ANTHRO | H |
| 206 | 206 | LAST THINGS | C.P. | SNOW | F | H | ||
| 207 | 207 | RENOIR, A RETROSPECTIVE | NICHOLAS | WADLEY | N | ART | N,H | |
| 208 | 208 | RETURN TO THE CHATEAU, STORY OF O, VOL 2 | PAULINE | REAGE | F | N,H | ||
| 209 | 209 | WARREN COURT, THE | RICHARD | H | SAYLER | N | CIVICS | H |
| 210 | 210 | READER'S DIGEST BOOKS, VOL M,1987 | F | H | ||||
| 211 | 211 | READER'S DIGEST BOOKS, VOL 3, 1961 | F | H | ||||
| 212 | 212 | READER'S DIGEST BOOKS, VOL 4 1960 | F | H | ||||
| 213 | 213 | READER'S DIGEST BOOKS VOL 3, 1960 | F | H | ||||
| 214 | 214 | READER'S DIGEST BOOKS VOL 4, 1967 | F | H | ||||
| 215 | 215 | READER'S DIGEST BOOKS VOL 1958 | F | H | ||||
| 216 | 216 | RETURN TO EARTH | BUZZ | ALDRIN, JR. | N | H | ||
| 217 | 217 | REMEMBRANCE OF THINGS PAST | MARCEL | PROUST | F | H, ANTHOLOGY, BOXED SET | ||
| 218 | 218 | ESPANOL | HABLAR | LEER | N | LANG | H | |
| 219 | 219 | MAKING OF THE PRESIDENT, THE 1964 | THEODORE | H | WHITE | N | CIVICS | H |
| 220 | 220 | PROUD TOWER, THE | BARBARA | TUCHMAN | N | CIVICS | H | |
| 221 | 221 | CLIENT, THE | JOHN | GRISHAM | F | H | ||
| 222 | 222 | UNDERSTANDING PHYSICS | ISAAC | ASIMOV | N | SCI | N,H | |
| 223 | 223 | ELEMENTARY PRINCIPLES OF STATISTICS | ROSANDER | N | SCI | H | ||
| 224 | 224 | PAROLE ET PENSEE | YVONE | LENARD | N | LANG | H | |
| 225 | 225 | YEARS OF LYNDON JOHNSON, THE | ROBERT | CARO | N | CIVICS | N,H | |
| 226 | 226 | CHANGING OF THE GUARD | DAVID | BRODER | N | CIVICS | H | |
| 227 | 227 | ANDREW LANG FAIRY TALE TREASURY | CARY | WILKINS | F | SCI FI | H | |
| 228 | 228 | ECONOMICS, PRINCIPLES AND APPLICATIONS | J. | HARVEY | DODD | N | SCI | H |
| 229 | 229 | BECAUSE I WAS INVITED | JUDITH | WRIGHT | N | H, AUSTRALIA | ||
| 230 | 230 | HOTEL | ARTHUR | HAILEY | F | H | ||
| 231 | 231 | STEPHEN LEACOCK, HUMORIST AND HUMANIST | RALPH | CURRY | N | BIO | H | |
| 232 | 232 | HUMAN PHYSIOLOGY | VANDER/SHERMAN | N | SCI | H | ||
| 233 | 233 | ECONOMIC GEOGRAPHY | JOHN | ALEXANDER | N | SCI | H | |
| 234 | 234 | FINE WINES OF CALIFORNIA, THE | HURST | HANNUM/BLUMBERG | N | H | ||
| 235 | 235 | CROWDED SKY, THE | HANK | SEARLS | F | H | ||
| 236 | 236 | GIFFORD ON COURAGE | FRANK | GIFFORD | N | BIO | H | |
| 237 | 237 | RAJ QUARTET, THE | PAUL | SCOTT | F | H | ||
| 238 | 238 | AMERICAN HISTORY | RICHARD | CURRENT/WILLIAMS | N | HIST | H | |
| 239 | 239 | DEGAS | PHOEBE | POOLE | N | ART | H | |
| 240 | 240 | BEARSTED, A BIO OF MARCUS SAMUEL | ROBERT | HENRIQUES | N | BIO | H | |
| 241 | 241 | WEBSTER'S NEW WORLD DICTIONARY | N | LANG | H | |||
| 242 | 242 | WORLD OF WASHINGTON IRVING, THE | VAN | WYCK | BROOKS | N | BIO | H |
| 243 | 243 | NIGHT PEOPLE, THE | JACK | FINNEY | F | H | ||
| 244 | 244 | PUBLIC YEARS, THE | BERNARD | BARUCH | N | BIO | H | |
| 245 | 245 | WHITE RAJAH, THE | NICHOLAS | MONSARRAT | F | H | ||
| 246 | 246 | LOVE CONQUERS NOTHING | EMILY | HAHN | N | H | ||
| 247 | 247 | WHITE HOUSE YEARS, THE | DWIGHT | D | EISENHOWER | N | CIVICS | H |
| 248 | 248 | BOOK OF INTERIOR DECORATION | LADIES HOME JOURNAL | N | H | |||
| 249 | 249 | MEDIEVAL VISION, THE | CAROLLY | ERICKSON | N | HIST | H | |
| 250 | 250 | PARSIFAL MOSAIC, THE | ROBERT | LUDLUM | F | H | ||
| 251 | 251 | DEEP TREASURE, THE | J.C. | WILLIAMSON | F | H | ||
| 252 | 252 | I SAW RED CHINA | LISA | HOBBS | N | CIVICS | H | |
| 253 | 253 | PROMISE AT DAWN | ROMAIN | GARY | N | BIO | H | |
| 254 | 254 | KINGS AND QUEENS | MERLIN | L | NEFF | CHILD | H | |
| 255 | 255 | WARRIORS OF THE CROSS | MERLIN | L | NEFF | CHILD | H | |
| 256 | 256 | CONQUERING HEROES | MERLIN | L | NEFF | CHILD | H | |
| 257 | 257 | TREASURY OF SAN MARCO VENICE, THE | DAVID | BUCKTON, ED | N | ART | N,H | |
| 258 | 258 | GOTHIC AND RENAISANCE ART IN NUREMBERG | JOHN | P. | O'NEILL, ED | N | ART | N,P |
| 259 | 259 | GREAT DUTCH PAINTINGS FROM AMERICA | RIEKE | VAN LEEUWEN | N | ART | N,P | |
| 260 | 260 | MY FRIEND FLICKA | MARY | O'HARA | F | H | ||
| 261 | 261 | MY GOD AND COUNTRY | MACKINLAY | KANTOR | F | H | ||
| 262 | 262 | WASHINGTON D.C. | GORE | VIDAL | F | H | ||
| 263 | 263 | SEVEN DEADLY SINS OF SCIENCE FICTIO, THE | ASIMOV/WAUGH, ED | F | SCI FI | H | ||
| 264 | 264 | PROFILES IN POWER | JOSEPH | KRAFT | N | BIO | H | |
| 265 | 265 | MACHINERY'S HANDBOOK | OBERG/JONES | N | SCI | H | ||
| 266 | 266 | PETER PAN | JAMES | D. | BARRIE | F | H | |
| 267 | 267 | FEAR OF FIFTY | ERICA | JONG | N | PSYCH | H | |
| 268 | 268 | ECONOMICS | PAUL | A | SAMUELSON | N | CIVICS | H |
| 269 | 269 | INTRODUCTION TO PHYSICAL GEOGRAPHY | ARTHUR | N | STRAHLER | N | SCI | H |
| 270 | 270 | PHYSICAL GEOLOGY | LEET/JUDSON | N | SCI | H | ||
| 271 | 271 | QUESTIONING THE MILLENNIUM | STEPHEN | JAY | GOULD | N | SCI | N,H |
| 272 | 272 | MIGHTY PRINCE, THE | MERLIN | NEFF | CHILD | H | ||
| 273 | 273 | FRONTERAS | ARJONA/TATUM | N | LANG | H, SPANISH | ||
| 274 | 274 | NOBEL PRIZE THEASURY | MARSHALL | MCCLINTOCK | F | ANTHOL | H | |
| 275 | 275 | THIRTY YEARS' WAR, THE | FEOFFREY | PARKER | N | CIVICS | N,H | |
| 276 | 276 | TURKEY, OLD AND NEW | SELMA | EKREM | N | ANTHRO | H | |
| 277 | 277 | MY SEARCH FOR PATTY HEARST | STEVEN | WEED | N | BIO | H | |
| 278 | 278 | YOUNGBLOOD HAWKE | HERMAN | WOUK | F | H | ||
| 279 | 279 | NOT AS A STRANGER | MORTON | THOMPSON | F | H | ||
| 280 | 280 | HISTORY OF SCIENTIFIC IDEAS, A | CHARLES | SINGER | N | SCI | N,H | |
| 281 | 281 | BEACH MUSIC | PAT | CONROY | F | H, READ IT DAN | ||
| 282 | 282 | COLLECTED NOVELS | H.RIDER | RIDER | HAGGARD | F | ANTHOL | H |
| 283 | 283 | OILMEN, THE | THOMAS | HOLLYMAN | N | BIO | H | |
| 284 | 284 | BUT WE WERE BORN FREE | ELMER | DAVIS | N | CIVICS | H | |
| 285 | 285 | EDUCATION OF HENRY ADAMS, THE | HENRY | ADAMS | N | BIO, AUTO | H | |
| 286 | 286 | LUCE AND HIS EMPIRE | W. | A. | SWANBERG | N | BIO | N,H |
| 287 | 287 | UTOPIA | THOMAS | MORE | F | SCI FI | H | |
| 288 | 288 | PETRONIUS SATYRICON | WILLIAM | BURNABY | F | H | ||
| 289 | 289 | PURGATORIO | DANTE | DANTE/ALIGHIERI | F | N,P | ||
| 290 | 290 | INFERNO | DANTE | DANTE/ALIGHIERI | F | N,P | ||
| 291 | 291 | PARADISO | DANTE | DANTE/ALIGHIERI | F | N,P | ||
| 292 | 292 | SENSE AND SENSIBILITY | JANE | AUSTEN | F | N,P | ||
| 293 | 293 | PRIDE AND PREJUDICE | JANE | AUSTEN | F | N,P | ||
| 294 | 294 | MANSFIELD PARK | JANE | AUSTEN | F | N,P | ||
| 295 | 295 | NORTHANGER ABBEY | JANE | AUSTEN | F | N,P | ||
| 296 | 296 | PERSUASION | JANE | AUSTEN | F | N,P | ||
| 297 | 297 | EMMA | JANE | AUSTEN | F | N,P | ||
| 298 | 298 | MINOR WORKS | JANE | AUSTEN | F | ANTHOL | N,P | |
| 299 | 299 | MOST BEAUTIFUL VILLAGES OF PROVENCE, THE | MICHAEL | JACOBS/PALMER | N | ART | N,H | |
| 300 | 300 | ROCKEFELLER COLLECTION OF AMERICAN ART,T | ABRAMS | N | ART | N,H | ||
| 301 | 301 | CHEMISTRY | MASTERSON/WALFORD | N | SCI | H | ||
| 302 | 302 | MAN'S STORY | WALLBANK | N | HIST | H | ||
| 303 | 303 | GENERAL ZOOLOGY | STORER/USINGER/ | N | SCI | H | ||
| 304 | 304 | BIOLOGY OF PLANTS | RAVEN, EVERT, CURTIS | N | SCI | H | ||
| 305 | 305 | ROBINSON CRUSOE | DANIEL | DEFOE | F | H | ||
| 306 | 306 | MY COUSIN RACHEL | DAPHNE | DU MAURIER | F | H | ||
| 307 | 307 | FUNNY WAYS OF STAYING ALIVE | WILLIS | BARNSTON | N | PHILOS | N,H | |
| 308 | 308 | PASSOVER | FOUMIKO | KOMETANI | F | ANTHOL/2 | H, A GUEST FROM AFAR | |
| 309 | 309 | GUJARATI BOOK, 1 | H | |||||
| 310 | 310 | GUJARATI BOOK, 2 | H | |||||
| 311 | 311 | GUJARATI BOOK, 3 | H | |||||
| 312 | 312 | THE SUN ALSO RISES | ERNEST | HEMINGWAY | F | H | ||
| 313 | 313 | FOR WHOM THE BELL TOLLS | ERNEST | HEMINGWAY | F | H | ||
| 314 | 314 | FAREWELL TO ARMS, A | ERNEST | HEMINGWAY | F | H | ||
| 315 | 315 | NICHOLAS AND ALEXANDRA | ROBERT | K | MASSIE | N | HIST | H |
| 316 | 316 | MR BLANDINGS BUILDS HIS DREAM HOUSE | ERIC | HODGINS | F | H | ||
| 317 | 317 | DON JUAN | LORD | BYRON | F | N,H | ||
| 318 | 318 | JOURNEY AMONG WARRIORS | EVE | CURIE | N | CIVICS | H | |
| 319 | 319 | CIVILIZATION OF THE RENAISSANCE IN ITALY | JACOB | BURCKHARDT | N | HIST | P | |
| 320 | 320 | CIVILIZATION OF THE RENAISSANCE IN ITALY | JACOB | BURCKHARDT | N | HIST | P, VOL 2 | |
| 321 | 321 | IN SEARCH OF HISTORY | THEODORE | H | WHITE | N | HIST | P |
| 322 | 322 | ELEMENTS OF STYLE | WILLIAM | STRUNK/ E.B.WHITE | N | ESSAYS | P | |
| 323 | 323 | COLONIAL MIND, THE | VERNON | PARRINGTON | N | HIST | P | |
| 324 | 324 | NIGHT TO REMEMBER, A | WALTER | LORD | N | HIST | P | |
| 325 | 325 | MAKING OF THE PRESIDENT, 1960, THE | THEODORE | WHITE | N | CIVICS | P | |
| 326 | 326 | UNIVERSE, THE | ISAAC | ASIMOV | N | SCI | P | |
| 327 | 327 | HIDDEN PERSUADERS, THE | VANCE | PACKARD | N | CIVICS | P | |
| 328 | 328 | DEMOCRACY IN AMERICA | ALEXIS | DE TOCQUEVILLE | N | CIVICS | P | |
| 329 | 329 | FOUNDATION TRILOGY, THE | ISAAC | ASIMOV | F | ANTHOL | H | |
| 330 | 330 | FAMILY GUIDE TO THE BIBLE | READER'S DIGEST | READER'S DIGEST | PHILOS | H | ||
| 331 | 331 | DEATH AND THE CHASTE APPRENTICE | ROBERT | BARNARD | F | H | ||
| 332 | 332 | GERMAN FOR READING KNOWLEDGE | JANNACH | N | LANG | H | ||
| 333 | 333 | BERENSTAIN'S BOOK, THE | JANICE | STANLEY | BERENSTAIN | F | CHILD | H |
| 334 | 334 | ALL ABOARD FOR ARARAT | H.G. | G. | WELLS | F | PHILOS | H |
| 335 | 335 | I CAN DO IT MYSELF | EMILY | KINGSLEY | F | CHILD | H | |
| 336 | 336 | MAGIC MOUNTAIN, THE, VOL 1 | THOMAS | MANN | F | H | ||
| 337 | 337 | MAGIC MOUNTAIN, VOL 2 | THOMAS | MANN | F | H | ||
| 338 | 338 | RED BADGE OF COURAGE, THE | STEPHEN | CRANE, | F | N,H | ||
| 339 | 339 | GUARDIAN ANGEL | SARA | PARETSKY | F | P | ||
| 340 | 340 | PAPER MONEY | DEN | FOLLETT | F | P | ||
| 341 | 341 | FLOWERS FOR THE JUDGE | MARGERY | ALLINGHAM | F | MYST | P | |
| 342 | 342 | STRANGER, THE | ALBERT | CAMUS | F | PHILOS | N,P | |
| 343 | 343 | FALL, THE | ALBERT | CAMUS | F | PHILOS | N,P | |
| 344 | 344 | PLAGUE, THE | ALBERT | CAMUS | F | PHILOS | N,P | |
| 345 | 345 | EXILE AND THE KINGDOM | ALBERT | CAMUS | F | PHILOS | N,P | |
| 346 | 346 | WHITE JACKET | HERMAN | MELVILLE | F | N,P | ||
| 347 | 347 | BILLY BUDD, BARTLEBY THE SCRIVENER | HERMAN | MELVILLE | F | ANTHOL | N,P | |
| 348 | 348 | TYPEE | HERMAN | MELVILLE | F | ANTHOL | N,P | |
| 349 | 349 | TOWERS OF SILENCE, THE | PAUL | SCOTT | F | P | ||
| 350 | 350 | DAY OF THE SCORPION, THE | PAUL | SCOTT | F | P | ||
| 351 | 351 | JEWEL IN THE CROWN, THE | PAUL | SCOTT | F | P | ||
| 352 | 352 | DIVISION OF THE SPOILS, A | PAUL | SCOTT | F | P | ||
| 353 | 353 | DIVISION OF THE SPOILS, A | PAUL | SCOTT | F | P | ||
| 354 | 354 | WHO PUT THE BUTTER IN BUTTERFLY? | DAVID | FELDMAN | N | LANG | N,H | |
| 355 | 355 | SOMETHING HAPPENED | JOSEPH | HELLER | F | H | ||
| 356 | 356 | DARK HORSE | FLETCHER | KNEBEL | F | H | ||
| 357 | 357 | AIR BOMBARDMENT | ROBERT | SAUNDBYN | N | CIVICS | H | |
| 358 | 358 | HINDI-ENGLISH DICTIONARY | N | LANG | H | |||
| 359 | 359 | AT LAST TO KISS AMANDA | FRANK | NORRIS | F | H | ||
| 360 | 360 | CONFESSIONS OF A SCOUNDREL | GUIDO | ORLANDO | N | BIO | H | |
| 361 | 361 | FRIENDLY PERSUASION, THE | JESSAMYN | WEST | F | H | ||
| 362 | 362 | ABANDONED | A | L | TODD | N | HIST | H |
| 363 | 363 | BATTY BAT | HUTCHINGS | F | CHILD | H | ||
| 364 | 364 | NOUVEAU COURS PRATIQUE DE FRANCAIS | E | B | DE SAUZE | N | LANG | H |
| 365 | 365 | FILLETS OF PLAICE | GERALD | DURRELL | F | H | ||
| 366 | 366 | TOWER OF BABEL | MORRIS | WEST | F | H | ||
| 367 | 367 | ONWARDS! | NAT | HENTOFF | F | H | ||
| 368 | 368 | BIOLOGICAL TIMEBOMB, THE | GORDON | TAYLOR | N | SCI | H | |
| 369 | 369 | MARAT/SADE | PETER | WEISS | F | PLAYS | P | |
| 370 | 370 | BEACHES ARE MOVING, THE | WALLACE | KAUFMAN/PILKEY | N | CIVICS | H | |
| 371 | 371 | HOW THE GOOD GUYS FINALLY WON | JIMMY | BRESLIN | N | CIVICS | H | |
| 372 | 372 | LAUGHTER OF APHRODITE, THE | PETER | GREEN | F | H | ||
| 373 | 373 | BRAVE PIONEERS | MERLIN | NEFF | CHILD | H | ||
| 374 | 374 | ROAD TO WIGAN PIER, THE | GEORGE | ORWELL | F | PHILOS | P | |
| 375 | 375 | CASTLE OF OTRANTO, THE | HORACE | WALPOLE | F | P | ||
| 376 | 376 | REAL INSPECTOR HOUND, THE | TOM | STOPPARD | F | PLAYS | P, AFTER MAGRITTE | |
| 377 | 377 | AFTER MAGRITTE | TOM | STOPPARD | F | PLAYS | P, AFTER MAGRITTE | |
| 378 | 378 | GERALD'S GAME | STEPHEN | KING | F | N,P | ||
| 379 | 379 | WAR AND PEACE | LEO | TOLSTOY | F | N,P | ||
| 380 | 380 | ANNA KARENINA | LEO | TOLSTOY | F | N,P | ||
| 381 | 381 | MILA 18 | LEON | URIS | F | H | ||
| 382 | 382 | OVERLOAD | ARTHUR | HAILEY | F | H | ||
| 383 | 383 | HOUSE OF THE STRANGE WOMAN | HELEN | HOLDREDGE | F | H | ||
| 384 | 384 | TEN RILLINGTON PLACE | LUDOVIC | KENNEDY | N | BIO | H | |
| 385 | 385 | FIRST CASUALTY, THE | PHILLIP | KNIGHTLEY | N | CIVICS | N,H | |
| 386 | 386 | COMPACT OXFORD ENGLISH DICTIONARY, THE | OXFORD | N | LANG | H, BOXED 2 VOL. SET | ||
| 387 | 387 | MASK OF VENICE, THE | JAMES | CHRISTEN | STEWARD | N | ART | N,P |
| 388 | 388 | JOY LUCK CLUB, THE | AMY | TAN | F | P | ||
| 389 | 389 | COMPLETE TALES OF BEATRIX POTTER | BEATRIX | POTTER | F | CHILD | N,P | |
| 390 | 390 | MAD ABOUT MADELINE | LUDWIG | BEMELMANS | F | CHILD | N,H | |
| 391 | 391 | PRIZZI'S FAMILY | RICYHARD | CONDON | F | H | ||
| 392 | 392 | CHRISTMAS STORY, THE | RICHARD | MEHLBERGER | N | ART | N,H | |
| 393 | 393 | VELAZQUEZ | ABRAMS | N | ART | N,P | ||
| 394 | 394 | WHISTLER, A RETROSPECTIVE | ROBIN | SPENCER | N | ART | N,H | |
| 395 | 395 | SALVADOR DALI: THE EARLY YEARS | MICHAEL | RAEBURN | N | ART | N,H | |
| 396 | 396 | EUGENE DELACROIX | ABRAMS | N | ART | N,H | ||
| 397 | 397 | MODERN DESIGN 1890 - 1990 | MILLER | N | ART | N,H | ||
| 398 | 398 | AMERICAN IMPRESSIONISM AND REALISM | ABRAMS | N | ART | N,H | ||
| 399 | 399 | ITALIAN PAINTING | CHRISTIANSEN | N | ART | N,H | ||
| 400 | 400 | GRIMUS | SALMAN | RUSHDIE | F | N,P | ||
| 401 | 401 | THE SCREWTAPE LETTERS/ANTHOLOGY | C.S. | S. | LEWIS | F | N,P | |
| 402 | 402 | MY NATIVE LAND | LOUIS | ADAMIC | N | ESSAYS | H, | |
| 403 | 403 | NEW ITALIAN POETRY, THE | LAWRENCE | R | SMITH | N | POETRY | N,P |
| 404 | 404 | TALE OF THE SPITEFUL SPIRITS, THE | CAROLE | TATE | F | H | ||
| 405 | 405 | ANNOTATED SHERLOCK HOLMES, THE | ARTHUR | CONAN | DOYLE | F | N,H | |
| 406 | 406 | THEATRE IN REVOLUTION | THAMES/HUDSON | N | N,P | |||
| 407 | 407 | HANDBOOK OF CHEMISTRY PHYSICS | ROBERT | WEAST | N | SCI | H | |
| 408 | 408 | LE MORTE DARTHUR | THOMAS | MALORY | F | N,H | ||
| 409 | 409 | M.C. ESCHER | ABRAMS | N | ART | N,P | ||
| 410 | 410 | SYNONYM FINDER, THE | J.I. | I. | RODALE | N | LANG | N,H |
| 411 | 411 | PARTRIDGE'S DICT. OF SLANG ENGLISH | ERIC | PARTRIDGE | N | LANG | N,P | |
| 412 | 412 | CLAN OF DEATH;NINJA | WEISS/PHILBIN | N | P | |||
| 413 | 413 | QUANTUM FITNESS | IRVING | DARDIK/WAITLEY | N | P | ||
| 414 | 414 | UNDAUNTED COURAGE | STEPHEN | E | AMBROSE | N | HIST | N,P |
| 415 | 415 | EMILE BERLINER, MAKER OF THE MICROPHONE | FREDERIC | WILLIAM | WILE | N | BIO | H |
| 416 | 416 | EVERYBODY'S A WINNER | TOM | SCHNEIDER | N | CHILD | P | |
| 417 | 417 | EMERGENCY CARE & TRANSPORTATION OF SICK. | N | SCI | P | |||
| 418 | 418 | YEAR'S BEST SCIENCE FICTION, THE #11 | GARDNER | DOZOIS | F | SCI FI | P, ANTHOLOGY | |
| 419 | 419 | DUNE | FRANK | HERBERT | F | SCI FI | N,P | |
| 420 | 420 | CAT'S CRADLE/ ANTHOLOGY | KURT | VONNEGUT | F | SCI FI | N,P | |
| 421 | 421 | SILMARILLION, THE | J.R.R. | TOLKIEN | F | N,H | ||
| 422 | 422 | DOWN AND OUT IN PARIS AND LONDON/1984 | GEORGE | ORWELL | F | PHILOS | N,H | |
| 423 | 423 | RADICAL UTOPIAS | CHARNAS/RUSS/DELANY | F | SCI FI | N,P | ||
| 424 | 424 | BIG SKY, THE | A.B. | GUTHRIE | F | H | ||
| 425 | 425 | GREEN MILE, THE | STEPHEN | KING | F | N,P | ||
| 426 | 426 | HOMER'S ODYSSEY | ROBERT | FAGLES | F | N,P | ||
| 427 | 427 | STREETCAR NAMED DESIRE, ANTHOLOGY | TENNESSEE | WILLIAMS | F | N,P | ||
| 428 | 428 | RABBIT RUN/ ANTHOLOGY | JOHN | UPDIKE | F | N,P | ||
| 429 | 429 | COWS OF OUR PLANET | GARY | LARSON | F | CARTOONS | N,P | |
| 430 | 430 | HOMICIDAL PSYCHO JUNGLE CAT | BILL | WATTERSON | F | CARTOONS | N,P | |
| 431 | 431 | DILBERT PRINCIPLE, THE | SCOTT | ADAMS | F | CARTOONS | N,P | |
| 432 | 432 | CURSE OF MADAME C, THE | GARY | LARSON | F | CARTOONS | N,P | |
| 433 | 433 | SCIENTIFIC PROGRESS GOES BOINK | BILL | WATTERSON | F | CARTOONS | N,P | |
| 434 | 434 | PREHISTORY OF THE FAR SIDE | GARY | LARSON | F | CARTOONS | N,P | |
| 435 | 435 | DOONESBURY CHRONICLES, THE | GARY | TRUDEAU | F | CARTOONS | P | |
| 436 | 436 | INDISPENSABLE CALVIN AND HOBBES, THE | BILL | WATTERSON | F | CARTOONS | N,P | |
| 437 | 437 | SIX BY SEUSS | DR. | SEUSS | F | CARTOONS | N,P | |
| 438 | 438 | VARGAS 20S - 50S | VARGAS | N | ART | N,P | ||
| 439 | 439 | CHOCOLATE DELIGHTS | HP | BOOKS | N | P | ||
| 440 | 440 | KALILA WA DIMNA | ESIN | ATIL | F | ART | N,P | |
| 441 | 441 | HISTORY OF WRITING, A | ALBERTINE | GAUR | N | LANG | N,P | |
| 442 | 442 | CAMBRIDGE ENCYCLOPEDIA OF LANGUAGE | DAVID | CRYSTAL | N | LANG | N,P | |
| 443 | 443 | UNDERSTANDING COMICS | SCOTT | MCCLOUD | F | CARTOONS | N,P | |
| 444 | 444 | EXALTATION OF LARKS, AN | JAMES | LIPTON | N | LANG | N,P | |
| 445 | 445 | ASCENT OF MAN, THE | J | BRONOWSKI | N | HIST | P | |
| 446 | 446 | SOCIOLOGY | WILEY | N | CIVICS | P | ||
| 447 | 447 | COMPLETE TUTANKHAMUN, THE | NICHOLAS | REEVES | N | ART | N,P | |
| 448 | 448 | NEW AMERICAN FURNITURE | EDWARD | COOKE | N | ART | N,P | |
| 449 | 449 | INNER GAME OF TENNIS, THE | W. | TIMOTHY | GALLWEY | N | PSYCH | P |
| 450 | 450 | SATANIC VERSES, THE | SALMAN | RUSHDIE | F | N,P | ||
| 451 | 451 | SECRET PILGRIM, THE | JOHN | LE CARRE | F | N,P | ||
| 452 | 452 | GREAT ROMANTICS, THE | BYRON,KEATS, SHELLEY | F | POETRY | N,P | ||
| 453 | 453 | COLLECTED POEMS | JOHN | UPDIKE | F | POETRY | N,P | |
| 454 | 454 | CALL IT SLEEP | HENRY | ROTH | F | N,P | ||
| 455 | 455 | NEON WILDERNESS/ANTHOLOGY | NELSON | ALGREN | F | N,P | ||
| 456 | 456 | CHALICE AND THE BLADE, THE | RIANE | EISLER | N | HIST | N,P | |
| 457 | 457 | TIME PIECES | WRIGHT | MORRIS | N | ESSAYS | N,P | |
| 458 | 458 | SABBATH'S THEATER | PHILIP | ROTH | F | N,P | ||
| 459 | 459 | WHEELS | ARTHUR | HAILEY | F | H | ||
| 460 | 460 | CANTERBURY TALES, THE | GEOFFREY | CHAUCER | F | N,P | ||
| 461 | 461 | BETROTHED/EDO AND ENAM | S | R | AGNON | F | N,P | |
| 462 | 462 | PUTNAM'S CONTEMP. ITALIAN DICTIONARY | ISOPEL | MAY | N | LANG | P | |
| 463 | 463 | JOSE | VALDES | F | LANG | H | ||
| 464 | 464 | ZALACAIN EL AVENTURERO | FEDERICO | DE ONIS | F | LANG | H | |
| 465 | 465 | SUENO DE UNA NOCHE DE AGOSTO | MARTINEZ | SIERRA | F | LANG | H | |
| 466 | 466 | EN LA ARDIENTE OSCURIDAD | ANTONIO | BUERO | VALLEJO | F | LANG | P |
| 467 | 467 | MEXICO VIRREINAL | MANUEL | DETERREROS/ROSENBERG | F | LANG | H | |
| 468 | 468 | COMO AGUA PARA CHOCOLATE | LAURA | ESQUIREL | F | LANG | N,H | |
| 469 | 469 | ANTEPARADISE | RAUL | ZURITA | F | LANG | N,P | |
| 470 | 470 | MEDITERRANEAN QUARTERLY 1993 - 1999 | ||||||
| 471 | 471 | COMRADES AND CHICKEN RANCHERS | KENNETH | L | KANN | N | ANTHRO | N,P |
| 472 | 472 | STELLA | PETER | WYDEN | N | BIO | N,P | |
| 473 | 473 | FIRST THINGS FIRST | STEPHEN | COVEY | N | CIVICS | N,P | |
| 474 | 474 | MOON MAN, THE | E | M | WEBSTER | N | BIO | N,H |
| 475 | 475 | SUPER THESAURUS | ROGET | N | LANG | N,P | ||
| 476 | 476 | UNITED STATES | GORE | VIDAL | N | ESSAYS 1952-1992 | N,P | |
| 477 | 477 | BARCELONA | ROBERT | HUGHES | N | HIST | N,P | |
| 478 | 478 | OXFORD COMPANION TO ENGLISH LIT, THE | MARGARET | DRABBLE | N | ESSAYS | N,P | |
| 479 | 479 | WHY BUILDINGS STAND UP | MARIO | SALVADORI | N | SCI | N,P | |
| 480 | 480 | MOTHER TONGUE | BILL | BRYSON | N | LANG | N,P | |
| 481 | 481 | DINOSAUR IN A HAYSTACK | STEPHEN | JAY | GOULD | N | SCI | N,P |
| 482 | 482 | WOMEN WHO RUN WITH THE WOLVES | CLARISSA | ESTES | N | ANTHRO | N,P | |
| 483 | 483 | MEDIEVAL READER, THE | NORMAN | CANTOR | N | HIST | N,P | |
| 484 | 484 | YUROK MYTHS | A | L | KROEBER | N | ANTHRO | N,P |
| 485 | 485 | ARABIAN NIGHTS, THE | WIGGIN/SMITH | F | N,P | |||
| 486 | 486 | ANCIENT INVENTIONS | JAMES/THORPE | N | HIST | N,P | ||
| 487 | 487 | ON A GILDED STAGE/THEATER EN. CALENDAR | N | ART | N,P | |||
| 488 | 488 | ORIGIN OF THE UNIVERSE, THE | JOHN | BARROW | N | SCI | N,P | |
| 489 | 489 | ORIGIN OF HUMANKIND, THE | RICHARD | LEAKEY | N | SCI | N,P | |
| 490 | 490 | LAST THREE MINUTES, THE | PAUL | DAVIES | N | SCI | N,P | |
| 491 | 491 | JOURNAL OF ENGLISH & GERMANIC PHILOLOGY | WHITING/PECK/ETC | N | LANG/GERMAN | P | ||
| 492 | 492 | UNNATURAL SELECTIONS | GARY | LARSON | F | CARTOONS | N,P | |
| 493 | 493 | WM. HENRY WELCH, HEROIC AGE OF AM. MED. | SIMON | FLEXNER | N | BIO | H | |
| 494 | 494 | LABYRINTHS | JORGE | LUIS | BORGES | F | N,P | |
| 495 | 495 | ELEMENTS OF EDITING, THE | ARTHUR | PLOTNIK | N | LANG | N,P | |
| 496 | 496 | ELEMENTS OF GRAMMAR, THE | MARGARET | SHERTZER | N | LANG | N,P | |
| 497 | 497 | PORTRAIT OF AN OLD LADY | STEPHEN | FAY | N | CIVICS | H | |
| 498 | 498 | HUMAN NERVOUS SYSTEM, THE | MURRAY | BARR | N | SCI | P | |
| 499 | 499 | WEST IN CRISIS, THE | JAMES | WARBURG | N | CIVICS | P | |
| 500 | 500 | BEERBOHM TREE | HESKETH | PEARSON | N | BIO | H | |
| 501 | 501 | LEGEND OF HENRY FORD, THE | KEITH | SWARD | N | BIO | H | |
| 502 | 502 | LAST WHOLE EARTH CATALOG, THE | N | ANTHRO | P | |||
| 503 | 503 | COMPLETE SHAKESPEARE, THE | WILLIAM | SHAKESPEARE | F | PLAYS | N,P, ED.: BEBINGTON | |
| 504 | 504 | SHAKESPEARE ALIVE | WILLIAM | SHAKESPEARE | F | PLAYS | N,P, ED.: PAPP/KIRKLAND | |
| 505 | 505 | COMMUNIST PARTY OF THE SOVIET UNION, THE | LEONARD | SCHAPRO | N | CIVICS | P | |
| 506 | 506 | ANATOMY OF AN ILLNESS | NORMAN | COUSINS | N | SCI | P | |
| 507 | 507 | BOOK ON THE TABOO AGAINST KNOWING...,THE | ALAN | WATTS | N | PHILOS | P | |
| 508 | 508 | GNOSTIC GOSPELS, THE | ELAINE | PAGELS | N | PHILOS | N,P | |
| 509 | 509 | PLEASURE IN THE WORLD | OLMOS/PARAVIVINI | N | ART | N,P | ||
| 510 | 510 | TRANSITVE VAMPIRE, THE | KAREN | E. | GORDON | N | LANG | N,P |
| 511 | 511 | ADAM, EVE, AND THE SERPENT | ELAINE | PAGELS | N | ANTHRO | N,P | |
| 512 | 512 | CONFESSIONS OF ST. AUGUSTINE, THE | ST. AUGUSTINE | N | PHILOS | N,P | ||
| 513 | 513 | DAVE BARRY IN CYBERSPACE | DAVE | BARRY | N | PHILOS | N,P | |
| 514 | 514 | BUDDHIST ART AND ARCHITECTURE | ROBERT | E. | FISHER | N | ART | N,P |
| 515 | 515 | DIARY OF A YOUNG GIRL, THE | ANNE | FRANK | N | ESSAYS | N,P | |
| 516 | 516 | HOW THE IRISH SAVED CIVILIZATION | THOMAS | CAHILL | N | HIST | N,P | |
| 517 | 517 | RIDDLE OF THE NEW TESTAMENT, THE | HOSKYNS/DAVEY | N | ANTHRO | P | ||
| 518 | 518 | OLD TESTAMENT | CLIFF NOTES | N | LIT | P | ||
| 519 | 519 | GOSPEL ACCORDING TO PEANUTS, THE | ROBERT | SHORT | F | CARTOONS | P | |
| 520 | 520 | COMMENTARY ON JOSHUA, JUDGES, SAMUEL, KI | WALTER | RAST | N | ESSAYS | P | |
| 521 | 521 | ORIGINS OF MODERN SCIENCE, THE | HERBERT | BUTTERFIELD | N | SCI | P | |
| 522 | 522 | ADLAI STEVENSON | JOHN | BARTLOW | MARTIN | N | BIO | H |
| 523 | 523 | FORGOTTEN ALLY, THE | PERRE | VAN PAASSEN | N | CIVICS | H | |
| 524 | 524 | HERBCRAFT | VIOLET | SCHAFER | N | ANTHRO | P | |
| 525 | 525 | OAKLAND BALLET;THE FIRST 25 YEARS | WILLIAM | HUCK | N | MUSIC | P | |
| 526 | 526 | NAUSEA | JOHN | PAUL | SARTRE | F | P | |
| 527 | 527 | FEDERAL RESERVE SYSTEM, THE | N | CIVICS | P | |||
| 528 | 528 | AMERICAN PRESIDENCY, THE | CLINTON | ROSSITER | N | CIVICS | P | |
| 529 | 529 | SHORT HISTORY PF THE CATHOLIC CHURCH, A | HOLMES/BICKERS | N | HIST | P | ||
| 530 | 530 | HISTORY OF SURREALISM, THE | MAURICE | NADEAU | N | ART | P | |
| 531 | 531 | TAKING RISKS | PETER | SPRENT | N | SCI | P | |
| 532 | 532 | DON'T GET TAKEN EVERY TIME | REMAR | SUTTON | N | CIVICS | P | |
| 533 | 533 | HOLY BIBLE | N | LIT | P | |||
| 534 | 534 | BEYOND GOOD AND EVIL | FRIEDRICH | NIETZSCHE | N | ESSAYS | P | |
| 535 | 535 | GRAMMAR OF THE FILM, A | RAYMOND | SPOTTISWOODE | N | ART | P | |
| 536 | 536 | BABY AND CHILD CARE | BENJAMIN | SPOCK | N | SCI | P | |
| 537 | 537 | FIVE BIBLICAL PORTRAITS | ELLIE | WIESEL | N | ESSAYS | P | |
| 538 | 538 | REFLECTIONS ON THE PSALMS | C.S. | LEWIS | N | ESSAYS | N,P | |
| 539 | 539 | HOW TO LIE WITH STATISTICS | DARRELL | HUFF | N | SCI | P | |
| 540 | 540 | ADVENTURES OF HUCKELBERRY FINN | MARK | TWAIN | F | P | ||
| 541 | 541 | PREHISTORY | JACQUETTA | HAWKES | N | HIST | P | |
| 542 | 542 | HUMAN USE OF HUMAN BEINGS, THE | NORBERT | WIENER | N | SCI | P | |
| 543 | 543 | ON THE ORIGIN OF INEQUALITY | JEAN-JACQUES | ROUSSEAU | N | ESSAYS | P | |
| 544 | 544 | PERPETUAL PEACR | EMMANUAL | KANT | N | ESSAYS | P | |
| 545 | 545 | LOST YEARS OF JESUS REVEALED, THE | CHARLES | FRANCES | POTTER | N | HIST | P |
| 546 | 546 | BIBLE FOR STUDENTS OF HIST AND ART, THE | G.B. | HARRISON | N | CIVICS | P | |
| 547 | 547 | DANCING WULI MASTERS, THE | GARY | ZUKAV | N | SCI | P | |
| 548 | 548 | SHINING, THE | STEPHEN | KING | F | P | ||
| 549 | 549 | DRESS FOR SUCCESS | JOHN | T. | MOLLOY | N | ANTHRO | P |
| 550 | 550 | DUCE | RICHARD | COLLIER | N | BIO | P | |
| 551 | 551 | SOUND COUNTY ALMANAC, A | ALDO | LEPOLD | N | SCI | P | |
| 552 | 552 | SAND COUNTY ALMANAC, A | ALDO | LEOPOLD | N | SCI | N,P | |
| 553 | 553 | TRUE BELIEVER, THE | ERIC | HOFFER | N | PHILOS | P | |
| 554 | 554 | COMING OF AGE IN SAMOA | MARGARET | MEADE | N | ANTHRO | P | |
| 555 | 555 | LIVES OF A CELL, THE | LEWIS | THOMAS | N | SCI | P | |
| 556 | 556 | VANITY FAIR | WILLIAM | MAKEPEACE | THACKERY | F | P | |
| 557 | 557 | CANDIDE | VOLTAIRE | F | N,P | |||
| 558 | 558 | COMPLETE SHORT STORIES OF HEMINGWAY, THE | F | N,P | ||||
| 559 | 559 | ALICE ON WONDERLAND | LEWIS | CARROLL | F | N,P | ||
| 560 | 560 | THROUGH THE LOOKING GLASS | LEWIS | CARROLL | F | N,P | ||
| 561 | 561 | LULU PAPERS & OTHER SEX TRAGEDIES, THE | FRANK | WEDEKIND | F | PLAYS | N,P | |
| 562 | 562 | SEVEN PILLARS OF WISDOM | T.E. | LAWRENCE | N | BIO | N,P | |
| 563 | 563 | FRANKENSTEIN | MARY | SHELLY | F | N,P | ||
| 564 | 564 | DRACULA | BRAM | STOKER | F | N,P | ||
| 565 | 565 | FIRST 49 SHORT STORIES OF HEMINGWAY, THE | F | P | ||||
| 566 | 566 | EGG AND I, THE | BETTY | MACDONALD | N | BIO | H | |
| 567 | 567 | STORIES OF BERNARD MALAMUD, THE | F | P | ||||
| 568 | 568 | DANCING BEAR | CHAIM | BERMANT | F | H | ||
| 569 | 569 | CRY,THE BELOVED COUNTRY | ALAN | PATON | F | P | ||
| 570 | 570 | BOOK OF MORMON, THE | N | ANTHRO | P | |||
| 571 | 571 | SMALL WORLD | DAVID | LODGE | F | P | ||
| 572 | 572 | MISTER JOHNSON | JOYCE | CARY | F | P | ||
| 573 | 573 | TWENTY-ONE BALLOONS, THE | WILLIAM | PENNE | DUBOIS | F | P | |
| 574 | 574 | BEYOND THE HORIZON | ROBERT | HEINLEIN | F | SCI FI | BT,PPODKAYNE OF MARS | |
| 575 | 575 | PODKAYNE OF MARS | ROBERT | HEINLEIN | F | SCI FI | BT,P | |
| 576 | 576 | MAN WHO SOLD THE MOON | R | HEINLEIN | F | SCI FI | BT,P | |
| 577 | 577 | DOUBLE STAR | R | HEINLEIN | F | SCI FI | BT,P | |
| 578 | 578 | METHUSELAH'S CHILDREN | R | HEINLEIN | F | SCI FI | BT,P | |
| 579 | 579 | SOMETHING WICKED THIS WAY COMES | RAY | BRADBURY | F | SCI FI | BT,P | |
| 580 | 580 | MEDICINE FOR MELANCHOLY, A | RAY | BRADBURY | F | SCI FI | BT,P | |
| 581 | 581 | ILLUSTRATED MAN, THE | RAY | BRADBURY | F | SCI FI | BT,P | |
| 582 | 582 | DANDELION WINE | RAY | BRADBURY | F | SCI FI | BT,P | |
| 583 | 583 | DEVIL'S GRARD, THE | TALBOT | MUNDY | F | SCI FI | BT,P | |
| 584 | 584 | SANTAROGA BARRIER, THE | FRANK | HERBERT | F | SCI FI | BT, P | |
| 585 | 585 | GOLDEN APPLES OF THE SUN, THE | RAY | BRADBURY | F | SCI FI | BT,P | |
| 586 | 586 | VIOLENT MAN, THE | AE | VAN VOGT | F | SCI FI | BT,P | |
| 587 | 587 | GOD BLESS YOU MR. ROSEWATER | KURT | VONNEGUT | F | SCI FI | BT,P | |
| 588 | 588 | PLAYER PIANO | KURT | VONNEGUT | F | SCI FI | BT, P | |
| 589 | 589 | SIRENS OF TITAN | KURT | VONNEGUT | VONNEGUT | F | SCI FI | BT, P |
| 590 | 590 | COSMIC RAPE, THE | THEODORE | STURGEON | F | SCI FI | BT,P | |
| 591 | 591 | DESTINATION; VOID | FRANK | HERBERT | F | SCI FI | BT, P | |
| 592 | 592 | TOTAL ECLIPSE | JOHN | BRUNNER | F | SCI FI | BT, P | |
| 593 | 593 | MINDBRIDGE | JOE | HALDEMAN | F | SCI FI | BT,P | |
| 594 | 594 | MACROSCOPE | PIERS | ANTHONY | F | SCI FI | BT,P | |
| 595 | 595 | HEPHAESTUS PLAGUE, THE | THOMAS | PAGE | F | SCI FI | BT, P | |
| 596 | 596 | SHAPE CHANGER, THE | KEITH | LAUMER | F | SCI FI | BT,P | |
| 597 | 597 | SUDDEN STAR, THE | PAMELA | SARGENT | F | SCI FI | BT,P | |
| 598 | 598 | DRAGON'S EGG | ROBERT | FORWARD | F | SCI FI | BT,P | |
| 599 | 599 | CONAN THE CONQUEROR | ROBERT | HOWARD | F | SCI FI | BT,P | |
| 600 | 600 | GILES GOAT-BOY | JOHN | BARTH | F | BT,P | ||
| 601 | 601 | BY LOVE POSSESSED | JAMES | COZZENS | F | BT,P | ||
| 602 | 602 | SECRET OF AHBOR VALLEY, THE | TALBOT | MUNDY | F | BT,P | ||
| 603 | 603 | ULLMAN CODE, THE | ROBERT | BERNHARD | F | BT,P | ||
| 604 | 604 | BONECRACK | DICK | FRANCIS | F | BT,P | ||
| 605 | 605 | CREEPING HOURS, THE | HUGH | PENTECOST | F | BT,P | ||
| 606 | 606 | CRUEL SEA, THE | NICHOLAS | MONSARRAT | F | BT,P | ||
| 607 | 607 | GRASS HARP AND A TREE OF NIGHT | TRUMAN | CAPOTE | F | BT,P | ||
| 608 | 608 | TO KILL A MOCKINGBIRD | HARPER | LEE | F | BT,P | ||
| 609 | 609 | NORTH DALLAS FORTY | PETER | GENT | F | BT,P | ||
| 610 | 610 | PART 35 | JOHN | IANNUZZI | F | BT,P | ||
| 611 | 611 | DARK AT THE TOP OF THE STAIRS, THE | WILLIAM | INGE | F | PLAYS | BT,P | |
| 612 | 612 | JULIET OF THE SPIRITS | FEDERICO | FELLINI | F | PLAYS | BT,P | |
| 613 | 613 | MYSTERIOUS STRANGER, THE | MARK | TWAIN | F | ANTHOL | BT,P | |
| 614 | 614 | FINGERED CITY, THE | DENISON | HATCH | F | BT,P | ||
| 615 | 615 | VEILS OF AZLAROC, THE | FRED | SABERHAGEN | SABERJAGEM | F | SCI FI | BT,P |
| 616 | 616 | HUMAN FACTOR, THE | GRAHAM | GREENE | F | BT,P | ||
| 617 | 617 | WAY TO DUSTY DEATH, THE | ALISTAIR | MACLEAN | F | BT,P | ||
| 618 | 618 | MONEY IS LOVE | RICHARD | CONDON | F | BT,P | ||
| 619 | 619 | HOLCROFT COVENANT, THE | ROBERT | LUDLUM | F | BT,P | ||
| 620 | 620 | SAMARITAN SCHEME, THE | DAVID | CHRISTOPHER | F | BT,P | ||
| 621 | 621 | REMBRANDT'S HAT | BERNARD | MALAMUD | F | BT,P | ||
| 622 | 622 | TRADE-OFF | G | F | NEWMAN | F | BT,P | |
| 623 | 623 | THREE CHILDREN OF THE HOLOCAUSE | SOL | CHANELES | F | BF,P | ||
| 624 | 624 | KAPPILLAN OF MALTA,THE | NICHOLAS | MONSARRAT | F | BT,P | ||
| 625 | 625 | ENEMY, THE | DESMOND | BAGLEY | F | BT,P | ||
| 626 | 626 | BENEDICT ARNOLD CONNECTION, THE | JOSEPH | DIMONA | F | BT,P | ||
| 627 | 627 | DARKNESS AT NOON | ARTHUR | KOESTLER | F | BT,F | ||
| 628 | 628 | FIRECREST | VICTOR | CANNING | F | BT,P | ||
| 629 | 629 | KINGFISHER | GERALD | SEYMOUR | F | BT,P | ||
| 630 | 630 | AMBASSADORS | HENRY | JAMES | F | BT,P | ||
| 631 | 631 | FANNY HILL | JOHN | CLELAND | F | BT,P | ||
| 632 | 632 | HARRY, THE RAT WITH WOMEN | FULES | FEIFFER | F | BT,P | ||
| 633 | 633 | BLACK BOOK, THE | LAWRENCE | DURRELL | F | BT,P | ||
| 634 | 634 | DEATH INTHE FAMILY, A | JAMES | AGEE | F | BT,P | ||
| 635 | 635 | CONFESSIONS OF FELIX KRULL | THOMAS | MANN | F | BT,P | ||
| 636 | 636 | ALL THE KING'S MEN | ROBERT | PENN | WARREN | F | BT,P | |
| 637 | 637 | JIMGRIM | TALBOT | MUNDY | F | SCI FI | BT,P | |
| 638 | 638 | EVERYTHING IN THE GARDEN | EDWARD | ALBEE | F | BT,P | ||
| 639 | 639 | TURN OF THE SCREW/DAISY MILLER | HENRY | JAMES | F | BT,P | ||
| 640 | 640 | OTHER VOICES, OTHER ROOMS | TRUMAN | CAPOTE | F | BT,P | ||
| 641 | 641 | RACK, THE | A | E | ELLIS | F | BT,P | |
| 642 | 642 | BILLION DOLLAR BRAIN | LEN | DEIGHTON | F | BT,P | ||
| 643 | 643 | TREMOR OF INTENT | ANTHONY | BURGESS | F | BT,P | ||
| 644 | 644 | RETURN TO LAUGHTER | ELENORE | SMUTH | BOWEN | F | BT,P | |
| 645 | 645 | GREAT AMERICAN SHORT STORIES | FAULKNER | MELVILLE | JAMES/POE/ETC | F | BT,P | |
| 646 | 646 | SONS AND LOVERS | D | H | LAWRENCE | F | BT,P | |
| 647 | 647 | GOOD SOLDIER SCHWEIK, THE | JAROSLAV | HASEK | F | BT,P | ||
| 648 | 648 | DON QUIXOTE | MIGUEL | CERVANTES | F | BT,P | ||
| 649 | 649 | TRAPS | FRIEDRICH | DUERRENMATT | F | BT,P | ||
| 650 | 650 | PLEDGE, THE | FRIEDRICH | DUERRENMATT | F | BT,P | ||
| 651 | 651 | QUARRY, THE | FRIEDRICH | DUERRENMATT | F | BT,P | ||
| 652 | 652 | EREWHON | SAMUEL | BUTLER | F | BT,P | ||
| 653 | 653 | PORTABLE CHEKHOV, THE | AVRAHM | YARMOLINSKY | F | PLAYS | BT,P | |
| 654 | 654 | ARRIVAL AND DEPARTURE | ARTHUR | KOESTLER | F | BT,P | ||
| 655 | 655 | STREET MUSIC | THEODORA | KEOGH | F | BT,P | ||
| 656 | 656 | TEMPLE OF GOLD, THE | WILLIAM | GOLDMAN | F | BT,P | ||
| 657 | 657 | 1984 | GEORGE | ORWELL | F | BT,P | ||
| 658 | 658 | CALL FOR THE DEAD | JOHN | LECARRE | F | BT,P | ||
| 659 | 659 | HOMER'S ODYSSEY | ROUSE | F | BT,P | |||
| 660 | 660 | HORSE UNDER WATER | LEN | DEIGHTON | F | BT,P | ||
| 661 | 661 | ILLEARTH WAR, THE | STEPHEN | DONALDSON | F | SCI FI | P | |
| 662 | 662 | GERARD MANLEY HOPKINS PROSE & POITRY | W | H | GARDNER | F | BT,P | |
| 663 | 663 | FAUST, PART 2 | GOETHE | F | BT,P | |||
| 664 | 664 | BEEN DOWN SO LONG, LOOKS LIKE UP TO ME | RICHARD | FARINA | F | BT, P | ||
| 665 | 665 | POINTS OF VIEW, ANTHOLOGY | F | BT, P | ||||
| 666 | 666 | PAWN IN JEOPARDY | ADAM | HALL | F | BT, P | ||
| 667 | 667 | MURDER OF QUALITY, A | JOHN | LE CARRE | F | BT, P | ||
| 668 | 668 | CRACK OF DOOM | WILLI | HEINRICH | F | BT, P | ||
| 669 | 669 | MARK OF SHAME | WILLI | HEINRICH | F | BT, P | ||
| 670 | 670 | MIAMI AND THE SIEGE OF CHICAG0 | NORMAN | MAILER | F | BT, P | ||
| 671 | 671 | PINCHER MARTIN | WILLIAM | GOLDING | F | BT, P | ||
| 672 | 672 | ROOM AT THE TOP | JOHN | BRAINE | F | BT, P | ||
| 673 | 673 | VODI, THE | JOHN | BRAINE | F | BT, P | ||
| 674 | 674 | DEMIAN | HERMANN | HESSE | F | BT, P | ||
| 675 | 675 | LAFCADIO'S ADVENTURES | ANDRE | GIDE | F | BT, P | ||
| 676 | 676 | DOORS OF DECEPTION | ALDOUS | HUXLEY | F | BT, P | ||
| 677 | 677 | HEAVEN AND HELL | ALDOUS | HUXLEY | F | BT, P | ||
| 678 | 678 | FOX IN THE ATTIC, THE | RICHARD | HUGHES | F | BT, P | ||
| 679 | 679 | HERMAN MELVLLE: FOUR SHORT NOVELS | HERMAN | MELVILLE | F | BT, P | ||
| 680 | 680 | DAVID COPPERFIELD | CHARLES | DICKENS | F | BT, H | ||
| 681 | 681 | FAN'S NOTES, A | FREDERICK | EXLEY | F | BT, P | ||
| 682 | 682 | RETURN OF THE ASSASSIN | ALFRED | TACK | F | BT, P | ||
| 683 | 683 | DREAMLAND LAKE | RICHARD | PECK | F | BT, P | ||
| 684 | 684 | LONG DARK NIGHT, THE | JOSEPH | HAYES | F | BT, P | ||
| 685 | 685 | WILD CARD | HAWKEY/BINGAM | F | BT, P | |||
| 686 | 686 | BLACK GAMBIT | ERIC | CLARK | F | BT,P | ||
| 687 | 687 | SHOGUN | JAMES | CLAVELL | F | BT,P | ||
| 688 | 688 | GARGOYLE CONSPIRACY, THE | MARVIN | ALBERTS | F | BT,P | ||
| 689 | 689 | RESIDENT, THE | WARREN | TUTE | F | BT,P | ||
| 690 | 690 | WILD TURKEY | ROGER | L. | SIMON | F | BT,P | |
| 691 | 691 | MCQUAID | SHEPARD | RIFKIN | F | BT,P | ||
| 692 | 692 | ASSASSIN | JAMES | ANDERSON | F | BT,P | ||
| 693 | 693 | LORD OF THE FLIES | WILLIAM | GOLDING | F | BT,P | ||
| 694 | 694 | PIERRE, OR THE AMBIGUITIES | HERMAN | MELVILLE | F | BT,P | ||
| 695 | 695 | LOTTERY, THE | SHIRLEY | JACKSON | F | BT,P | ||
| 696 | 696 | BLACKENING FACTOR, THE | WILFRID | SHEED | F | BT,P | ||
| 697 | 697 | PENSYLVANIA GOTHIC | WILFRID | SHEED | F | BT,P | ||
| 698 | 698 | CAKES AND ALE | W. | SOMERSET | MAUGHM | F | BT,P | |
| 699 | 699 | HENRIK: THREE PLAYS | HENRIK | IBSEN | F | PLAYS | BT,P | |
| 700 | 700 | AGAINST NATURE | HUYSMANS | F | BT,P | |||
| 701 | 701 | MR. LOVE AND JUSTICE | COLIN | MACINNES | F | BT,P | ||
| 702 | 702 | CHILDREN, AND OTHERS, ANTHOLOGY | JAMES | GOULD | COZZENS | F | BT,P | |
| 703 | 703 | PICTURES FROM AN INSTITUTION | RANDALL | JARRELL | F | BT,P | ||
| 704 | 704 | TIN DRUM, THE | GUNTER | GRASS | F | BT,P | ||
| 705 | 705 | WALK WITH LOVE AND DEATH, A | HANS | KONNINGSBERGER | F | BT,P | ||
| 706 | 706 | DOWN THERE ON A VISIT | CHRISTOPHER | ISHERWOOD | F | BT,P | ||
| 707 | 707 | LITTLE BIG MAN | THOMAS | BERGER | F | BT,P | ||
| 708 | 708 | HEART IS A LONLEY HUNTER, THE | CARSON | MCCULLERS | F | BT,P | ||
| 709 | 709 | SEVEN | CARSON | MCCULLERS | F | BT,P | ||
| 710 | 710 | BARABAS | LAGERKVIST | F | BT,P | |||
| 711 | 711 | SIDDHARTHA | HERMANN | HESSE | F | BT,P | ||
| 712 | 712 | RISE OF SILAS LAPHAM, THE | WILLIAM | DEAN | HOWELLS | F | BT,P | |
| 713 | 713 | PEARL, THE | F | BT,P, COLLECTION OF EOTICA | ||||
| 714 | 714 | GIOVANI'S ROOM | JAMES | BALDWIN | F | BT,P | ||
| 715 | 715 | HAMLET, THE | WILLIAM | FAULKNER | F | BT,P | ||
| 716 | 716 | TEODORE DREISER: ANTHOLOGY | THEODORE | DREISER | F | BT,P | ||
| 717 | 717 | AFTER MANY A SUMMER DIES THE SWAN | ALDOUS | HUXLEY | F | BT,P | ||
| 718 | 718 | TIME MUST HAVE A STOP | ALDOUS | HUXLEY | F | BT,P | ||
| 719 | 719 | THOSE BARREN LEAVES | ALDOUS | HUXLEY | F | BT,P | ||
| 720 | 720 | BRAVE NEW WORLD | ALDOUS | HUXLEY | F | BT,P | ||
| 721 | 721 | WALDEN TWO | B. | F. | SKINNER | F | BT,P | |
| 722 | 722 | FOUR MODERN PLAYS | F | PLAYS | BT,P, IBSEN, SHAW, O'NEILL, MILLER | |||
| 723 | 723 | WELL WROUGHT URN, THE | CLEANTH | BROOKS | F | PLAYS | BT,P | |
| 724 | 724 | IBSEN: 3 PLAYS | HENRIK | IBSEN | F | PLAYS | BT,P, GHOSTS, THE WILD DUCK, AN ENEMY OF THE PEOPLE | |
| 725 | 725 | LONG DAY WANES, THE | ANTHONY | BURGESS | F | BT,P | ||
| 726 | 726 | ALL FALL DOWN | JAMES | LEO | HERLIHY | F | BT,P | |
| 727 | 727 | IF YOU MEET THE BUDDHA ON THE ROAD, KILL | SHELDON | KOPP | N | PHILOS | P | |
| 728 | 728 | AEROBICS WAY, THE | KENNETH | COOPER, MD | N | SCI | P | |
| 729 | 729 | WHY WE ARE IN VIETNAM | NORMAN | MAILER | N | CIVICS | P | |
| 730 | 730 | MR. CITIZEN | HARRY | S. | TRUMAN | N | BIO | P |
| 731 | 731 | DICTIONARY, MERRIAM WEBSTER | N | LANG | P | |||
| 732 | Test | |||||||
| 732 | 733 | POLAND | JAMES | A | MICHENER | F | BT,H | |
| 733 | 734 | FOURTH PROTOCOL, THE | FREDERICK | FORSYTH | F | BT,H | ||
| 734 | 735 | SHOGUN | JAMES | CLAVELL | F | BT,H | ||
| 735 | 736 | LAST AND FIRST MEN/STARMAKER | OLAF | STAPLEDON | F | SCI FI | BT,P | |
| 736 | 737 | LONG AFTER MIDNIGHT | RAY | BRADBURY | F | SCI FI | BT,H | |
| 737 | 738 | TROPIC OF CAPRICORN | HENRY | MILLER | F | BT,H | ||
| 738 | 739 | TROPIC OF CANCER | HENRY | MILLER | F | BT,H | ||
| 739 | 740 | RED STORM RISING | TOM | CLANCY | F | BT,H | ||
| 740 | 741 | PILLARS OF THE EARTH | KEN | FOLLETT | F | BT,H | ||
| 741 | 742 | COMPLETE SHERLOCK HOLMES, THE | ARTHUR | CONAN | DOYLE | F | B,H | |
| 742 | 743 | ANGLO-SAXON ATTITUDES | ANGUS | WILSON | N | BT,P | ||
| 743 | 744 | FOUR SCREENPLAYS OF INGMAR BERGMAN | INGMAR | BERGMAN | F | PLAYS | BT,P,SMILES OF A SUMMER NIGHT, THE SEVENTH SEAL WILD STRAWBERRIES, THE MAGICIAN | |
| 744 | 745 | LADY CHATTERLEY'S LOVER | D | H | LAWRENCE | F | BT,H | |
| 745 | 746 | CLEAR AND PRESENT DANGER | TOM | CLANCY | F | BT,H | ||
| 746 | 747 | POLAR STAR | MARTIN | CRUZ | SMITH | F | BT,H | |
| 747 | 748 | SARUM, THE NOVEL OF ENGLAND | EDWARD | RUTHERFURD | F | BT,F | ||
| 748 | 749 | SICILIAN, THE | MARIO | PUZO | F | BT,H | ||
| 749 | 750 | THIEF OF TIME, A | TONY | HILLERMAN | F | BT,H | ||
| 750 | 751 | QUEST FOR KARLA, THE | JOHN | LE CARRE | F | BT,H | ||
| 751 | 752 | HISTORY OF PHILOSOPHY, A | WILHELM | WINDERBAND | N | HIST | BT,P | |
| 752 | 753 | STUDIES IN HUMAN TIME | GEORGES | POULET | N | PHILOS | BT,P | |
| 753 | 754 | PHILOSOPHY OF NIETZSCHE, THE | FRIEDRICH | NIETZSCHE | N | PHILOS | BT,H | |
| 754 | 755 | LOGIC AND LANGUAGE | A.G. | N. | FLEW | N | LANG | BT,H |
| 755 | 756 | CHINESE WAY TO WEIGHT CONTROL,THE | PEDRO | CHAN | N | P | ||
| 756 | 757 | THOUGHT AND ACTION | STUART | HAMPSHIRE | N | PHILOS | BT,H | |
| 757 | 758 | EVOLUTION OF POLITICAL THOUGHT, THE | C | NORTHCOTE | PARKINSON | N | CIVICS | BT,P |
| 758 | 759 | WISDOM OF CHINE AND INDIA, THE | LIN | YUTANG | N | PHILOS | BT,H | |
| 759 | 760 | 3 PHILOSOPHERS | ANSCOMBE/GEACH | N | PHILOS | BT,H, ARISTOTLE, AQUINAS, FREGE | ||
| 760 | 761 | INTRODUCTION TO LOGIC | PATRICK | SUPPES | N | PHILOS | BT,H | |
| 761 | 762 | HISTORY OF WESTERN MORALS, A | CRANE | BRINTON | N | PHILOS | BT,H | |
| 762 | 763 | MOTIVATION AND PERSONALITY | A | H | MASLOW | N | PSYCH | BT,H |
| 763 | 764 | ETHICS | P | H | NOWELL-SMITH | N | PHILOS | BT,H |
| 764 | 765 | ESSENTIALS OF ZEN BUDDHISM, THE | DAISETZ | T | SUZUKI | N | PHILOS | BT,H |
| 765 | 766 | STORY OF FABIAN SOCIALISM, THE | MARGARE | COLE | N | PHILOS | BT,H | |
| 766 | 767 | DEPRESSION AND THE BODY | ALEXANDER | LOWEN | N | PSYCH | BT,P | |
| 767 | 768 | MAN'S SEARCH FOR HIMSELF | ROLLO | MAY | N | PSYCH | BT,P | |
| 768 | 769 | LANGUAGE OF PSYCHOLOGY, THE | GEORGE | MANDLER/KESSEN | N | PSYCH | BT,P | |
| 769 | 770 | PSYCHOLOGICAL REFLECTIONS | CARL | JUNG | N | PSYCH | BT,P | |
| 770 | 771 | STIGMA | ERVING | GOFFMAN | N | PSYCH | BT,P | |
| 771 | 772 | ON BECOMING A PERSON | CARL | ROGERS | N | PSYCH | BT,H | |
| 772 | 773 | CRADLE OF EROTICA | ALLEN | EDWARDES/MASTERS | N | PSYCH | BT,H | |
| 773 | 774 | CONDITIONING THERAPIES, THE | JOSEPH | WOLPE/SALTER/REYNA | N | PSYCH | BT,P | |
| 774 | 775 | HUMAN NATURE AND THE HUMAN CONDITION | JOSEPH | KRUTCH | N | PSYCH | BT,H | |
| 775 | 776 | JOY | WILLIAM | SCHUTZ | N | PSYCH | BT,H | |
| 776 | 777 | SELF ANALYSIS | KAREN | HORNEY | N | PSYCH | BT,H | |
| 777 | 778 | SCIENCE OF EDUCATION AND THE PSYCHOLO... | JEAN | PIAGET | N | PSYCH | BT,H | |
| 778 | 779 | GAMES PEOPLE PLAY | ERIC | BERNE, | N | PSYCH | BT,H | |
| 779 | 780 | LOTUS AND THE ROBOT, THE | ARTHUR | KOESTLER | N | PSYCH | BT,H | |
| 780 | 781 | AMERICAN DEMOCRATIC THOUGHT | GABRIEL | N | CIVICS | BT,H | ||
| 781 | 782 | MISSION TO HANOI | HARRY | ASHMORE/BAGGS | N | CIVICS | BT,P | |
| 782 | 783 | FUTURE AS HISTORY | ROBERT | HEILBRONER | N | CIVICS | BT,P | |
| 783 | 784 | TOTALITARIANISM | HANNAH | ARENDT | N | CIVICS | BT,P | |
| 784 | 785 | ROAD TO SERFDOM | FRIEDRICH | HAYEK | N | CIVICS | BT,P | |
| 785 | 786 | AMERICAN SUPREME COURT | ROBERT | MCCLOSKEY | N | CIVICS | BT,P | |
| 786 | 787 | OPEN SOCIETY AND ITS ENEMIES, THE | K | R | POPPER | N | CIVICS | BT,P |
| 787 | 788 | OPEN SOCIETY AND ITS ENEMIES, THE VOL 2 | K | R | POPPER | N | CIVICS | BT,P |
| 788 | 789 | COMMUNIST MANIFESTO, THE | KARL | R | MARX/ENGELS | N | CIVICS | BT,P |
| 789 | 790 | ARE MEN EQUAL? | HENRY | ALONZO | MYERS | N | CIVICS | BT,P |
| 790 | 791 | LITERATURE AND THE IRRATIONAL | WAYNE | SHUMAKER | N | ANTHRO | BT,P | |
| 791 | 792 | LION AND THE HONEYCOMB,THE | R | P | BLACKMUR | N | ANTHRO | BT,P |
| 792 | 793 | CHILDREN OF SANCHEZ, THE | OSCAR | P | LEWIS | N | ANTHRO | BT,P |
| 793 | 794 | PORTRAIT OF AN AGE | G | M | YOUNG | N | ANTHRO | BT,P |
| 794 | 795 | LONG WEEK-END, THE | ROBERT | M | GRAVES/HODGE | N | ANTHRO | BT,P |
| 795 | 796 | RENAISSANCE, THE | WALLACE | K | FERGUSON | N | ANTHRO | BT,P |
| 796 | 797 | SCIENTIFIC THEORY OF CULTURE/OTHER ESSAY | BRONISLAW | K | MALINOWSKI | N | ANTHRO | BT,P |
| 797 | 798 | ABRAHAM LINCOLN | DON | FEHRENBACHER | N | BIO | BT,P | |
| 798 | 799 | LETTERS OF JAMES AGEE TO FATHER FLYE | JAMES | AGEE | N | BIO | BT,P | |
| 799 | 800 | REALLY THE BLUES | HENRY | MILLER | N | BIO | BT,P | |
| 800 | 801 | BENJAMIN FRANKLIN AUTOBIOGRAPHY | BEN | N | BIO | BT,P | ||
| 801 | 802 | GREAT TRUE SPY STORIES | ALLEN | DULLES | N | BIO | BT,H | |
| 802 | 803 | WORKING | STUDS | TERKEL | N | BIO | BT,H | |
| 803 | 804 | HISTORY OF THE UNITED STATES, A | WILLIAM | MILLER | N | HIST | BT,P | |
| 804 | 805 | ENGLAND IN THE TWENTIETH CENTURY | DAVID | THOMSON | N | HIST | BT,P | |
| 805 | 806 | LAST BATTLE, THE | CORNELIUS | RYAN | N | HIST | BT,P | |
| 806 | 807 | ROMAN SOCIETY | SAMUEL | DILL | N | HIST | BT,P | |
| 807 | 808 | ORIGINS OF TOTALITARIAN DEMOCRACY, THE | J | L | TALMON | N | HIST | BT,P |
| 808 | 809 | COMING OF THE NEW DEAL, THE | ARTHUR | L | SCHLESINGER | N | HIST | BT,P |
| 809 | 810 | GREAT HUNGER, THE | CECIL | L | WOODHAM-SMITH | N | HIST | BT,P |
| 810 | 811 | EVERYDAY LIFE IN BIBLE TIMES | NATIONAL | GEOGRAPHIC SOCIETY | N | HIST | BT,P | |
| 811 | 812 | HOLY BARBARIANS, THE | LAWRENCE | LIPTON | N | HIST | BT,P | |
| 812 | 813 | SHORT HISTORY OF AMERICAN LIFE, A | LAWRENCE | BLAKE | N | HIST | BT,P | |
| 813 | 814 | HISTORY OF THE MODERN WORLD, A | PALMER/COLTON | N | HIST | BT,P | ||
| 814 | 815 | FREEDOM IN THE ANCIENT WORLD | HERBERT | MULLER | N | HIST | BT,P | |
| 815 | 816 | SUGAR BLUES | WILLIAM | DUFFY | N | SCI | BT,P | |
| 816 | 817 | YOGA, YOUTH AND REINCARNATION | JESS | STEARN | N | PHIL | BT,P | |
| 817 | 818 | FASTING AS A WAY OF LIFE | ALLAN | COTT | N | PHIL | BT,P | |
| 818 | 819 | FITNESS OVER 40 | WALTER | NODER | N | PHIL | BT,P | |
| 819 | 820 | NEW COMPLETE WALKER, THE | COLIN | FLETCHER | N | PHIL | BT,H | |
| 820 | 821 | TWO-EDGED SWORD | JOHN | MCKENZIE | MCKENZIE | N | PHIL | BT,PH |
| 821 | 822 | HORNBOOK FOR THE DOUBLE DAMNED | SAMUEL | MILTON | ELAM | N | PHIL | BT,PH |
| 822 | 823 | OUTSIDER | COLIN | WILSON | N | PHIL | BT,H | |
| 823 | 824 | NEW TESTAMENT, THE | AMERICAN BIBLE SOCIE | N | PHIL | BT,H | ||
| 824 | 825 | ZOO IN MY LUGGAGE, A | GERALD | DURRELL | N | SCI | BT,P | |
| 825 | 826 | DICTIONARY OF GEOGRAPHY, A | W | G | MOORE | N | SCI | BT,P |
| 826 | 827 | PETIT LAROUSSE | N | LANG | BT,H, DICTIONARY, FRENCH | |||
| 827 | 828 | AGE OF ANXIETY, THE | W | H | AUDEN | N | POETRY | BT,H |
| 828 | 829 | HOMAGE TO CLIO | W | H | AUDEN | N | POETRY | BT,H |
| 829 | 830 | SHAKESPEARE, OUR CONTEMPORARY | JAN | KOTT | N | LIT | BT,H | |
| 830 | 831 | HOW THINKING IS WRITTEN | HALL | N | LIT | BT,H | ||
| 831 | 832 | OXFORD COMPANION TO AMERICAN LIT, THE | JAMES | D | HART | N | LIT | BT,H |
| 832 | 833 | OXFORD COMPANION TO ENGLISH LIT, THE | PAUL | D | HARVEY | N | LIT | BT,H |
| 833 | 834 | COLLEGE BOOK OF MODERN VERSE, A | ROBINSON | RIDEOUT | N | LIT | BT,H | |
| 834 | 835 | POETRY IN OUR TIME | BABETTE | DEUTSCH | N | LIT | BT,H | |
| 835 | 836 | INTRODUCTION TO CHAUCER, AN | HUSSEY/SPEARING/WIN. | N | LIT | BT,H | ||
| 836 | 837 | STUDY OF LITERATURE, A | DAVID | DAICHES | N | LIT | BT,P | |
| 837 | 838 | LITERARY OPINION IN AMERICA | MORTON | ZABEL | N | LIT | BT,P | |
| 838 | 839 | SENSE & SENSIBILITY IN MODERN POETRY | WILLIAM | VAN OCONNOR | N | LIT | BT,P | |
| 839 | 840 | CRISIS IN ENGLISH POETRY 1880-1940 | VIVIAN | DESOLA | PINTO | N | LIT | BT,P |
| 840 | 841 | IMPORTANCE OF LANGUAGE, THE | FRIEDRICH | WAISMANN | N | LIT | BT,P | |
| 841 | 842 | FORM & VALUE IN MODERN POETRY | R | P | BLACKMUR | N | LIT | BT,P |
| 842 | 843 | LITERATURE OF THE UNITED STATES | MARCUS | P | CUNLIFFE | N | LIT | BT,P |
| 843 | 844 | SEVENTEENTH CENTURY POETRY | HUGH | P | KENNER | N | LIT | BT,P |
| 844 | 845 | CRAFT OF FICTION, THE | PERCY | LUBBOCK | N | LIT | BT,P | |
| 845 | 846 | STORY AND STRUCTURE | LAURENCE | PERRINE | N | LIT | BT,P | |
| 846 | 847 | THEORY OF LITERATURE | RENE | WELLEK/WARREN | N | LIT | BT,P | |
| 847 | 848 | PRAISE OF FOLLY, THE | DESIDERIUS | ERASMUS | F | BT, P | ||
| 848 | 849 | MODERN AGE, THE | BORIS | FORD, ED | F | ANTHOL | BT, P, ANTHOLOGY | |
| 849 | 850 | BACKGROUND OF MODERN POETRY, THE | J. | ISAACS | F | BT, P | ||
| 850 | 851 | VOICE THAT IS GREAT WITHIN US, THE | HAYDEN | CARRUTH, ED | F | BT, P | ||
| 851 | 852 | LOVE DECLARED | DENIS | DE ROUGEMONT | N | ESSAYS | BT, P | |
| 852 | 853 | POETRY AND THE AGE | RANDALL | JARRELL | N | ESSAYS | BT, P | |
| 853 | 854 | NOTES TOWARD THE DEFINIITION OF CUTURE | T. | S. | ELLIOT | N | ESSAYS | BT, P |
| 854 | 855 | COMMON PURSUIT, THE | F. | R. | LEAVIS | N | LIT | BT, P |
| 855 | 856 | EIGHTEENTH CENTURY BACKGROUND, THE | BASIL | R. | WILLEY | N | PHILOS | BT, P |
| 856 | 857 | CLASSIC, ROMANTIC, AND MODERN | JACQUES | BARZUN | N | LIT | BT, P | |
| 857 | 858 | PRINCIPLES OF LITERARY CRITICISM | L. | A. | RICHARDS | N | LIT | BT, P |
| 858 | 859 | DYLAN THOMAS | C. | B. | COX | N | ESSAYS | BT, P |
| 859 | 860 | T.S.ELLIOT | HUGH | KENNER | N | ESSAYS | BT, P | |
| 860 | 861 | ROBERT FROST | JAMES | M. | COX, ED | N | ESSAYS | BT, P |
| 861 | 862 | HARDY | ALBERT | J. | GUERARD, ED | N | ESSAYS | BT, P |
| 862 | 863 | WALLACE SEVENS | MARIE | BORROF, ED | N | ESSAYS | BT, P | |
| 863 | 864 | JOHN DONNE | HELEN | GARDNER, ED | N | ESSAYS | BT, P | |
| 864 | 865 | PORTABLE STEINBECK, THE | PASCAL | COVICI, JR, ED | N | LIT | P | |
| 865 | 866 | FITZGERALDS AND THE KENNEDYS, THE | DORIS | KEARNS | GOODWIN | N | BIO | P |
| 866 | 867 | CENTENNIAL | JAMES | A. | MICHENER | F | P | |
| 867 | 868 | THORNBIRDS, THE | COLLEEN | MCCULLOUGH | F | P | ||
| 868 | 869 | RUSSIA HOUSE, THE | JOHN | LECARRE | F | P | ||
| 869 | 870 | CHESAPEAKE | JAMES | A. | MICHENER | F | P | |
| 870 | 871 | SPACE | JAMES | A. | MICHENER | F | P | |
| 871 | 872 | LONESOME DOVE | LARRY | MCMURTRY | F | P | ||
| 872 | 873 | TWICE TOLD TALES | NATHANIEL | HAWTHORN | F | P | ||
| 873 | 874 | MEXICO SET | LEN | DEIGHTON | F | P | ||
| 874 | 875 | MONTH OF SUNDAYS, A | JOHN | UPDIKE | F | P | ||
| 875 | 876 | SMILEY'S PEOPLE | JOHN | LECARRE | F | P | ||
| 876 | 877 | BURR | GORE | VIDAL | F | P | ||
| 877 | 878 | SEVEN PERCENT SOLUTION, THE | NICHOLAS | MEYER | F | P | ||
| 878 | 879 | HUMBOLT'S GIFT | SAUL | BELLOW | F | P | ||
| 879 | 880 | ONE FLEW OVER THE CUCKOO'S NEST | KEN | KESEY | F | P | ||
| 880 | 881 | WANDERER, THE | ALAIN | FOURNIER | F | P | ||
| 881 | 882 | LORD JIM | JOSEPH | CONRAD | F | P | ||
| 882 | 883 | ROSENCRANTZ AND GUILDENSTERN ARE DEAD | TOM | STOPPARD | F | PLAY | P | |
| 883 | 884 | SIX MODERN GREAT PLAYS | F | PLAY | P,3 SISERS,MASTER BUILDER,MRS. WARREN'S PROFESSION,RED ROSES FOR ME,ALL MY SONE,THE GLASS MENAGERIE | |||
| 884 | 885 | TOM JONES | HENRY | FIELDING | F | P | ||
| 885 | 886 | ADVENTURES OF AUGIE MARCH, THE | SAUL | BELLOW | F | P | ||
| 886 | 887 | DEFEAT AT SEA | C. | D. | BEKKER | N | HIST | P |
| 887 | 888 | BOOK OF LIGHTS, THE | CHAIM | POTOK | F | P | ||
| 888 | 889 | ISLAND | ALDOUS | HUXLEY | F | P | ||
| 889 | 890 | CARRIBEAN MYSTERY, A | AGATHA | CHRISTIE | F | P | ||
| 890 | 891 | FROM DOON WITH DEATH | RUTH | RENDELL | F | P | ||
| 891 | 892 | CLOAK OF DARKNSS | HELEN | MACINNES | F | P | ||
| 892 | 893 | SHANE | JACK | SCHAEFER | F | P | ||
| 893 | 894 | RAW LAND | LUKE | SHORT | F | P | ||
| 894 | 895 | STAB IN THE DARK, A | LAWRENCE | BLOCK | F | P | ||
| 895 | 896 | NIBELUNGENLIED, THE | A. | T. | HATTO, TRANSL | F | P | |
| 896 | 897 | IMMENSE JOURNEY, THE | LOREN | EISLEY | F | P | ||
| 897 | 898 | MASH | RICHARD | HOOKER | F | P | ||
| 898 | 899 | HAPPY ARE THE PEACE MAKERS | ANDREW | GREELEY | F | P | ||
| 899 | 900 | COLLECTOR, THE | FOHN | FOWLES | F | P | ||
| 900 | 901 | PRIZE,THE | IRVING | WALLACE | F | P | ||
| 901 | 902 | JULIAN | GORE | VIDAL | F | P | ||
| 902 | 903 | EYE OF THE NEEDLE | KEN | FOLLETT | F | P | ||
| 903 | 904 | AMITYVILLE HORROR, THE | JAY | ANSON | N | P | ||
| 904 | 905 | HENRY AND CATO | IRIS | MURDOCH | F | P | ||
| 905 | 906 | ARMIES OF THE NIGHT, THE | NORMAN | MAILER | F | P | ||
| 906 | 907 | BIG LAUGH, THE | JOHN | OHARA | F | P | ||
| 907 | 908 | INSIDIOUS DR. FU MANCHU, THE | SAX | ROHMER | F | P | ||
| 908 | 909 | EDEN EXPRESS, THE | VONNEGUT | MARK | F | P | ||
| 909 | 910 | CHANCELLOR MANUSCRIPT, THE | ROBERT | LUDLUM | F | P | ||
| 910 | 911 | DINNER PARTY, THE | HOWARD | FAST | F | P | ||
| 911 | 912 | MYRA BRECKINRIDGE | GORE | VIDAL | F | P | ||
| 912 | 913 | STELLA DALLAS | OLIVE | PROUTY | F | P | ||
| 913 | 914 | FRIDAY THE RABBI SLEPT LATE | HARY | KEMELMAN | F | P | ||
| 914 | 915 | EARTHLY POSSESSIONS | ANNE | TYLER | F | P | ||
| 915 | 916 | BOOK OF COMMON PRAYER, A | JOAN | DIDION | F | P | ||
| 916 | 917 | SHARDIK | RICHARD | ADAMS | F | P | ||
| 917 | 918 | HAND OF LAZARUS, THE | WARREN | MURPHY | F | P | ||
| 918 | 919 | EL CRIADOR DE GORILAS | ROBERTO | ARLT | F | LANG | P, SPANISH | |
| 919 | 920 | MISS SEETON CRACKS THE CASE | HAMILTON | CRANE | F | MYST | P | |
| 920 | 921 | BONFIRE OF THE VANITIES, THE | TOM | WOLFE | F | P | ||
| 921 | 922 | MAC BIRD | BARBARA | GARSON | F | P | ||
| 922 | 923 | H IS FOR HOMICIDE | SUE | GRAFTON | F | P | ||
| 923 | 924 | SANTA FE REMBRANDT, THE | CECIL | DAWKINS | F | MYST | P | |
| 924 | 925 | TIME TO KILL, A | JOHN | GRISHAM | F | P | ||
| 925 | 926 | FUGITIVE NIGHTS | JOSEPH | WAMBAUGH | F | P | ||
| 926 | 927 | OUT OF AFRICA/SHADOWS ON THE GRASS | ISAK | DINESEN | F | P | ||
| 927 | 928 | NIGHT SHIFT | STEPHEN | KING | F | P | ||
| 928 | 929 | CARPETBAGGERS, THE | HAROLD | ROBBINS | F | P | ||
| 929 | 930 | DAY OF THE LOCUST, THE | NATHANAEL | WEST | F | P | ||
| 930 | 931 | FAR FROM THE MADDING CROWD | THOMAS | HARDY | F | P | ||
| 931 | 932 | PENGUIN ISLAND | ANATOLE | FRANCE | F | P, SATIRE | ||
| 932 | 933 | SCARLATTI INHERITANCE, THE | ROBERT | LUDLUM | F | P | ||
| 933 | 934 | NEW HORIZONS I LINGUISTICS | JOHN | LYONS | N | LANG | P | |
| 934 | 935 | RENDEZVOUS WITH DESTINY | ERIC | GOLDMAN | F | P | ||
| 935 | 936 | FUTURE OF AMERICAN POLITICS | SAMUEL | LUBELL | F | P | ||
| 936 | 937 | AENEID OF VIRGIL, THE | ALLEN | MANDELBAUM | F | P | ||
| 937 | 938 | CASE OF THE PHANTOM FORTUNE, THE | ERLE | STANLEY | GARDNER | F | MYST | P |
| 938 | 939 | GODFATHER, THE | MARIO | PUZO | F | P | ||
| 939 | 940 | MURDER IN MESOPOTAMIA | AGATHA | CHRISTIE | F | MYST | P | |
| 940 | 941 | RIVER OF DEATH | ALISTAIR | MACLEAN | F | P | ||
| 941 | 942 | SECRET WAYS, THE | AND CHAOS DIED, JOA | RUSS | F | P | ||
| 942 | 943 | DR. STRANGELOVE | PETER | GEORGE | F | P | ||
| 943 | 944 | OF MICE AND MEN | JOHN | STEINBECK | F | P | ||
| 944 | 945 | RAISE THE TITANIC | CLIVE | CUSSLER | F | P | ||
| 945 | 946 | BLACK BOY | RICHARD | WRIGHT | F | P | ||
| 946 | 947 | LOOKING FOR MR. GOODBAR | JUDITH | ROSSNER | F | P | ||
| 947 | 948 | BOOK OF DANIEL | E | L | DOCTOROW | F | P | |
| 948 | 949 | FLIGHT OF THE HORSE, THE | LARRY | NIVEN | F | P | ||
| 949 | 950 | PARTISANS | ALISTAIR | MACLEAN | F | P | ||
| 950 | 951 | AQUITAINE PROGRESSION, THE | ROBERT | LUDLUM | F | P | ||
| 951 | 952 | GROUP, THE | MARY | MCCARTHYF | F | P | ||
| 952 | 953 | ARMIES OF THE NIGHT | NORMAN | MAILER | F | P | ||
| 953 | 954 | ON WINGS OF EAGLES | KEN | FOLLETT | F | P | ||
| 954 | 955 | BONJOUR TRISTESSE | FRANCOISE | SAGAN | F | P | ||
| 955 | 956 | BEN-HUR | LEW | WALLACE | F | P | ||
| 956 | 957 | TALE OF TWO CITIES | CHARLES | DICKENS | F | P | ||
| 957 | 958 | AROUND THE WORLD WITH THE CAMERA | LESLIE/JUDGE CO. PUB | N | ART | WHITEHALL | ||
| 958 | 959 | UNIVERSAL PICTURES | MICHAEL | G | FITZGERALD | N | ART | WHITEHALL |
| 959 | 960 | HARDY BOYS, THE 17 | FRANKLIN | W | DIXON | F | WHITEHALL WROTE THIS/ THE NUMBER FILE | |
| 960 | 961 | OLD NEIGHBORHOOD, THE | AVERY | CORMAN | F | P,WHITEHALL | ||
| 961 | 962 | NEW AMERICAN REVIEW 10 | F | ANTHOL | P,WHITEHALL | |||
| 962 | 963 | OPERA | EDWARD | DENT | N | MUSIC | P,WHITEHALL | |
| 963 | 964 | STORIES OF FAMOUS OPERAS | HAROLD | MILLIGAN | N | MUSIC | P,WHITEHALL | |
| 964 | 965 | MARY WESTMACOTT, UNFINISHED PORTRAIT | AGATHA | CHRISTIE | F | P,WHITEHALL | ||
| 965 | 966 | DEATH ANSWERS THE BELL | VALENTINE | WILLIAMS | F | H, WHITEHALL | ||
| 966 | 967 | FIND IT FAST | ROBERT | BERKMAN | N | LANG | P, WHITEHALL | |
| 967 | 968 | MOVIES, THE, A PICTORIAL HISTORY OF | DEEMS | TAYLOR | N | ART | H,WHITEHALL | |
| 968 | 969 | MOVIES, THE 1957 | RICHARD | GRIFFITH/MAYER | N | ART | H,WHITEHALL | |
| 969 | 970 | JAF CARTOONS | JAF | JAF | F | CARTOONS | H,WHITEHALL | |
| 970 | 971 | LUMINOUS ANIMALS | B | KLIBAN | F | CARTOONS | P,WHITEHALL | |
| 971 | 972 | PICTORIAL HISTORY OF TELEVISION | BLUM | N | ART | H,WHITEHALL | ||
| 972 | 973 | GREAT CARTOONS OF THE WORLD | JOHN | BAILEY | F | CARTOONS | H,WHITEHALL | |
| 974 | CASSATT | ALLISON | EFFENY | N | ART | N 142PP COFFEE TABLE | ||
| 973 | 975 | MONET A RETROSPECTIVE | CHARLES | F | STUCKEY | N | ART | N 386 PP COFFEETABLE SIZE |
| 974 | 976 | RENOIR | PATRICK | BADE | N | ART | H N 144 PP COFFEE TABLE | |
| 975 | 977 | VAN GOGH | WILLIAM | FEAVOR | N | ART | H N 144PP COFFEE TABLE | |
| 976 | 978 | CALVIN&HOBBES 10TH ANNIVERSARY | BILL | WATTERSON | F | CARTOON | P N | |
| 977 | 979 | DOONESBURY'S GREATEST HITS | GARRY | B | TRUDEAU | F | CARTOON | P N |
| 978 | 980 | DOONESBURY CHRONICLES | GARRY | B | TRUDEAU | F | CARTOON | P N |
| 979 | 981 | THE PEOPLE'S DOONESBURYO | GARRY | B | TRUDEAU | F | CARTOON | H N |
| 980 | 982 | WORL REGIONAL GEOGRAPHY | RICHARD | H | JACKSON | N | SCI | H SOCIAL & POLITICAL |
| 981 | 983 | VOGUE POSTER BOOK | DIANA | VREELAND | N | ART | P COSTUMES CLOTHING | |
| 982 | 984 | MAXFIELD PARRISH POSTER BOOK | MAURCIE | SENDAK | N | ART | P | |
| 983 | 985 | FAR SIDE GALLERY 4 | GARY | LARSON | F | CARTOON | P N | |
| 984 | 986 | ART OF J M W TURNER,THE | DAVID | BLAYNEY | BROWN | N | ART | H N 192 PP |
| 985 | 987 | WOODNER COLLECTION MASTER DRAWINGS | METROPOLITAN MUSEUM | N | ART | P N 382PP | ||
| 986 | 988 | BALLET RUSSE | RICHARD | SHEAD | N | DANCE | H N 192PP | |
| 987 | 989 | TAPESTRY FROM FINE ARTS MUSEUMS OF SF | ANNA | GRAY | BENNETT | N | ART HISTORY | P N 329PP |
| 988 | 990 | ELIJAH'S ANGEL | MICHAEL | J | ROSEN | F | CHILD | H N |
| 989 | 991 | NUDE, THE | KENNETH | CLARK | N | ART HISTORY | P N 458PP | |
| 990 | 992 | WILLIAM BLAKE AT THE HUNTINGTON | ROBERT | N | ESSICK | N | ART | P N 159PP |
| 991 | 993 | STORY OF CIVILIZATION, THE | WILL | DURANT | N | HISTORY | H N 11 VOLUMES | |
| 992 | 994 | HARPIST IN THE WIND | PATRICIA | MCKILLIP | F | FANTASY | P N | |
| 993 | 995 | RIDDLE MASTER OF HED, THE | PATRICIA | MCKILLIP | F | FANTASY | P N | |
| 994 | 996 | WORM OUROBOROS, THE | E | R | EDDISON | F | FANTASY | P N |
| 995 | 997 | WONDERFUL LAND OF OZ, THE | L | FRANK | BAUM | F | FANTASY | P N 3 VOLS IN ONE |
| 996 | 998 | SYLVIE AND BRUNO | LEWIS | CARROLL | F | FANTASY | H | |
| 997 | 999 | FRIDA KAHLO | HAYDEN | HERRERA | N | BIO | P N ART HISTORICAL | |
| 998 | 1000 | BERTHE MORISOT | ANNE | HIGONNET | N | BIO | H N ART HISTORICAL | |
| 999 | 1001 | MIRROR MAKER, THE | PRIMO | LEVI | N | ESSAYS/STORIES | P N PHILOSOPHICAL | |
| 1000 | 1002 | FRANKENSTEIN, THE ENDURANCE OF | GEORGE | LEVINE | N | ESSAYS/LIT CRITICISM | P N | |
| 1001 | 1003 | OLYMPIA READER, THE | MAURICE | GIRODIAS | F | EROTICA | P N | |
| 1002 | 1004 | OUT OF THE SILENT PLANET | C | S | LEWIS | F | FANTASY | P N THRE VOLS IN ONE |
| 1003 | 1005 | PERELANDRA | C | S | LEWIS | F | FANTASY | P N |
| 1004 | 1006 | THAT HIDEOUS STRENGTH | C | S | LEWIS | F | FANTASY | P N |
| 1005 | 1007 | IN AUGUST COMPANY | PIERPOINT MORGAN LIR | N | ART | P N | ||
| 1006 | 1008 | ANIMALS OF EAST AFRICA | C | A | SPINNAGE | N | BIOL | H |
| 1007 | 1009 | HEAVY HANDS | LEONARD | SCHWARTZ | N | HEALTH | H | |
| 1008 | 1010 | THINS AND FIT:YOUR PERSONAL LIFESTYLE | DOROTHY | E | DUSEK | N | HEALTH | H |
| 1009 | 1011 | ART IN THE AGE OF HOMER | MUSEUM OF ART & ARCH | N | ART HISTORY | P N 250 PP | ||
| 1010 | 1012 | LSAT CHAPTER AND WORSE:A FARSIDE COLLECT | GARY | LARSON | F | CARTOON | P N | |
| 1011 | 1013 | ITS A MAGICAL WORLD | BILL | WATTERSON | F | CARTOON | P N | |
| 1012 | 1014 | FUGITIVE FROM THE CUBICLE POLICE | SCOTT | ADAMS | F | CARTOON | P N | |
| 1013 | 1015 | BALLET, THE STORY OF WORLD | K | V | BURIAN | N | DANCE | H STUFFY & STILTED--FROM THE 1960'S |
| 1014 | 1016 | FABERGE, MASTERPIECES FROM HOUSE OF | ALEXANDER | VON | SOLODKOFF | N | ART HISTORY | H N 187PP FROM MADIANS |
| 1015 | 1017 | ACHENBACH FOUNDATION, TREASURES OF | ROBERT | FLYNN | JOHNSON | N | ART | P N 208 PP |
| 1016 | 1018 | UTRECHT PAINTERS OF DUTCH GOLDEN AGE | CHRISTOPHER | BROWN | N | ART HISTORY | P N 72PP | |
| 1017 | 1019 | VERMEER COMPLETE WORKS | ARTHUR | K | WHEELOCK JR | N | ART | P N 71PP |
| 1018 | 1020 | READER'S DIGEST CONDENSED BOOKS | F | NOVELS | H 19 VOLUMES | |||
| 1019 | 1021 | MAGIC EYE | N | ART | H N 3D FRACTAL PICTURES FROM MARICA STIERLIN | |||
| 1020 | 1022 | GATHER DARKNESS | FRITZ | LEIBER | F | SCI FI | H | |
| 1021 | 1023 | DAYS ARE JUST PACKED, THE | BILL | WATTERSON | F | CARTOON | P N | |
| 1022 | 1024 | MICHELANGELO | KUCINDA | HAWKINS | COLLINGE | N | ART/ART HISTORY | H N 240 PP |
| 1023 | 1025 | LEONARDO | MARIA | COSTANTINO | N | ART/ART HISTORY | H N 240 PP | |
| 1024 | 1026 | 19TH CENT CALIF STILL LIFE PAINTING | CROCKER ART MUSEUM | N | ART/ART HISTORY | P N 87PP TITLE:" BOUNTIFUL HARVEST" | ||
| 1025 | 1027 | IMAGES OF PARADISE IN ISLAMIC ART | SHEILA | S | BLAIR | N | ART/ART HISTORY | P N 113PP |
| 1026 | 1028 | STORIES OF PINOCCHIO & OTHER TALES | MARSHALL | CAVENDISH | F | CHILD | H N | |
| 1027 | 1029 | CORREGGIO | LUCIA | FORNIARI | SCHIANCHI | N | ART/ART HISTORY | P N 80 PP |
| 1028 | 1030 | TREASURY OF CHILDREN'S LITERATURE,A | ARMAND | EISEN | F | CHILD/ART | H N 303 PP | |
| 1029 | 1031 | CHILDREN OF THE MIND | ORSON | SCOTT | CARD | F | SCIFI | H N |
| 1030 | 1032 | DRAGONSEYE | ANNE | MCAFFREY | F | FANTASY | h n | |
| 1031 | 1033 | DONNERJACK | ROGER | ZELAZNY | F | FANTASY | H N | |
| 1032 | 1034 | BOOK OF LOST TALES, THE-PART ONE | J | R | TOLKIEN | F | FANTASY | H N |
| 1033 | 1035 | SEURAT | ROBERT | L | HERBERT | N | ART/ART HISTORY | H N 450 PP |
| 1034 | 1036 | WOMEN ARTISTS | NANCY | G | HELLER | N | ART/ART HISTORY | P N 255 PP |
| 1035 | 1037 | PAINTINGS IN THE VATICAN | CARLO | PIETRANGELI | N | ART/ART HISTORY | H N 505 PP | |
| 1036 | 1038 | BASEBALL ENCYCLOPEDIA | N | HIST | P 2781 PP | |||
| 1037 | 1039 | COROT | GARY | TINTEROW | N | ART/ART HISTORY | H N 479PP COFFEE TABLE SIZE | |
| 1038 | 1040 | ENAMELS OF LIMOGES | MET MUSEUM OF ART | N | ART/ART HISTORY | H N 478 PP COFFEE TABLE SIZE | ||
| 1039 | 1041 | JOHN SINGLETON COPLEY IN AMERICA | CARRIE | REBORA | N | ART/ART HISTORY | P N 347 PP COFFEE TABLE SIZE MET MUSEUM OF ART | |
| 1040 | 1042 | WIZARD AND GLASS-THE DARK TOWER IV | STEPHEN | KING | F | FANTASY | P N | |
| 1041 | 1043 | LAST TYCOON, THE | F | SCOTT | FITZGERALD | F | NOVEL | P N |
| 1042 | 1044 | TENDER IS THE NIGHT | F | SCOTT | FITZGERALD | F | NOVEL | P N |
| 1043 | 1045 | THIS SIDE OF PARADISE | F | SCOTT | FITZGERALD | F | NOVEL | P N |
| 1044 | 1046 | GREAT GATSBY, THE |